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Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68

JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET)

Janus-Faced Composition, c. 1967-68
caribou bone, 4 x 2.25 x 1.5 in (10.2 x 5.7 x 3.8 cm)
signed, “ᑎᑕ”.

LOT 89
ESTIMATE: $3,500 — $5,000
PRICE REALIZED: $3,600

Further images

  • (View a larger image of thumbnail 1 ) JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
  • (View a larger image of thumbnail 2 ) JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
  • (View a larger image of thumbnail 3 ) JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
  • (View a larger image of thumbnail 4 ) JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Janus-Faced Composition, c. 1967-68
  • Janus-Faced Composition
Tiktak carved almost exclusively in stone; only a few examples of works carved in organic materials are known. They include a walrus tusk carved with faces, at least two ivory...
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Tiktak carved almost exclusively in stone; only a few examples of works carved in organic materials are known. They include a walrus tusk carved with faces, at least two ivory figures, and a small figure in antler. This remarkable Janus-Faced Composition is carved from the leg bone of a caribou; it is the only work we know of by Tiktak made from this material, and is possibly unique in his oeuvre. Judging from the facial features it was probably carved c. 1967-68, a period of intense experimentation for the artist. Interestingly Tiktak carved his signature below one of the faces, something he occasionally did in his sculptures as well. The Janus-face motif is not unheard of in his repertoire either, and naturally it relates to his multiple-head imagery as well.


References: For a Standing Figure by Tiktak carved in ivory see Sandra Dyck and Ingo Hessel, Sanattiaqsimajut: Inuit Art from the Carleton University Art Gallery Collection (Ottawa: CUAG, 2009), cat. 101, p. 172. For an important stone Janus-Faced Head by the artist see Walker’s Auctions, Ottawa, May 2018, Lot 76.


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Provenance

Marion Scott Gallery, Vancouver;

Acquired from the above by Mr Fred & Mrs Mary Widding, Ithaca, NY.


Exhibitions

Ithaca, NY, Handwerker Gallery, Gannett Center, Ithaca College, Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, 26 February - 6 April 2008, cat. no. 21.

Literature

Cheryl Kramer & Lillian R. Shafer eds., Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, exh. cat., (Ithaca, NY: Handwerker Gallery, Gannett Center, Ithaca College, 2008),cat. no. 21, reproduced p. 45, as "Caribou Figures" and "c. 1968".
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