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Open a larger version of the following image in a popup: KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
Open a larger version of the following image in a popup: KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
Open a larger version of the following image in a popup: KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
Open a larger version of the following image in a popup: KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994

KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR)

Helicopter, 1994
stone, wood, and baleen, 8 x 19 x 4.25 in (20.3 x 48.3 x 10.8 cm)
unsigned.
LOT 45
ESTIMATE: $1,200 — $1,800

Further images

  • (View a larger image of thumbnail 1 ) KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
  • (View a larger image of thumbnail 2 ) KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
  • (View a larger image of thumbnail 3 ) KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
  • (View a larger image of thumbnail 4 ) KOWISA ARLOOKTOO (1966-) KIMMIRUT (LAKE HARBOUR), Helicopter, 1994
Striking in its economy of detail, Helicopter relies on smooth, sculptural volumes that allow the silhouette to carry the visual impact. This simplicity is heightened by subtle accents, propellers and...
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Striking in its economy of detail, Helicopter relies on smooth, sculptural volumes that allow the silhouette to carry the visual impact. This simplicity is heightened by subtle accents, propellers and an elongated nose antennae, that anchor the work in a fusion of contemporary imagery and traditional materials.

We cannot help but draw a comparison to Pudlo Pudlat’s earlier and now celebrated depictions of airplanes and helicopters. Like Pudlo, Kowisa Arlooktoo’s work challenges any fixed notion of what Inuit art "should” depict. The helicopter, far from being an imported oddity, is now part of the lived environment, part of what Jean Blodgett called the North’s “cultural equipment” (Grasp Tight the Old Ways, 1983, p. 136).

ND
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Provenance

Ex. Coll. Norman Zepp & Judith Varga Collection, Saskatoon;

Their sale, Marion Scott Gallery, Vancouver, BC;

Acquired from the above by John and Joyce Price, c. 2003.

Exhibitions

Vancouver, Marion Scott Gallery, Vision and Form: The Norman Zepp - Judith Varga Collection of Inuit Art, 2003, cat. 69.

Publications

Robert Kardosh, Vision and Form: The Norman Zepp - Judith Varga Collection of Inuit Art, (Vancouver, BC: Marion Scott Gallery, 2003), cat. 69, p. 91
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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