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Open a larger version of the following image in a popup: UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
Open a larger version of the following image in a popup: UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
Open a larger version of the following image in a popup: UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
Open a larger version of the following image in a popup: UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
Open a larger version of the following image in a popup: UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920

UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST

Model Totem Pole, c. 1910-1920
red cedar and paint, 22.5 x 3.5 x 4.25 in (57.1 x 8.9 x 10.8 cm), measurements reflect dimensions without later added base, with: 23 x 4.5 x 5 in (58.4 x 11.4 x 12.7 cm)
unsigned
LOT 46
ESTIMATE: $1,000 — $1,500

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
  • (View a larger image of thumbnail 5 ) UNIDENTIFIED MAKAH or NUU-CHAH-NULTH ARTIST, Model Totem Pole, c. 1910-1920
This massive model pole features a toothed, humanoid figure sitting atop a Raven, which is in turn sitting on a monoxylous pedestal. The imagery is unusual for this maker for...
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This massive model pole features a toothed, humanoid figure sitting atop a Raven, which is in turn sitting on a monoxylous pedestal. The imagery is unusual for this maker for not featuring a bird on the top of the pole. The pole is mounted on a metal base that was added later. It’s carved in red cedar and painted in old green, black, white, and yellow paints. There is also some structure carved between and behind the figures that imply a backboard. Although this maker’s name is currently unknown, based on shop catalogues from the period and stickers present on much of their work, this artist is known to have been active in the Seattle curio trade and to have carved for the Ye Olde Curiosity Shop and Hudson Bay Fur Co. (Seattle) in the first quarter of the 20th century.

Christopher W. Smith

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Provenance

Private Collection, NY, USA.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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