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Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s

LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT)

Father and Child, early 1980s
stone, 8 x 4.5 x 2.75 in (20.3 x 11.4 x 7 cm)
signed, "ᐊᓇᐅᑕᓕ".

LOT 81
ESTIMATE: $800 — $1,200
PRICE REALIZED: $1,680.00

Further images

  • (View a larger image of thumbnail 1 ) LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
  • (View a larger image of thumbnail 2 ) LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
  • (View a larger image of thumbnail 3 ) LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
  • (View a larger image of thumbnail 4 ) LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), Father and Child, early 1980s
  • Father and Child
Anowtalik’s skill as a carver is evident in this small-scale and remarkably sophisticated work. The limbs of the two figures twist and intertwine to transmit a great sense of energy....
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Anowtalik’s skill as a carver is evident in this small-scale and remarkably sophisticated work. The limbs of the two figures twist and intertwine to transmit a great sense of energy. The tumbling arms and legs, as well as the unusually high level of incutting present in the work, transform the immutable stone into bodies in motion. Anowtalik’s stone sculptures are usually more abstract; it is his wife Mary Ayaq often who more typically incorporates figures in motion in her works. Although the subject matter is open to interpretation, we are sure this work depicts a father playfully hoisting his young child. Father and Child has a delightful charm that we associate more with Anowtalik’s antler compositions.


References: For an important example in stone by the artist see First Arts Auction, Dec. 2020, Lot 128; for a similarly large example see Ingo Hessel, Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum, (Vancouver: Douglas & McIntyre / Phoenix: Heard Museum, 2006), cat. 136. For the artist’s discussion on his carving, see Bernedette Driscoll, Eskimo Point / Arviat, (Winnipeg: Winnipeg Art Gallery, 1982), p. 22, 24, and 26; cats. 5-9.
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Provenance

Private Collection, USA. 
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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