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Open a larger version of the following image in a popup: SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69
Open a larger version of the following image in a popup: SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69
Open a larger version of the following image in a popup: SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69

SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET)

Man Calling to Birds, 1961 #69
Printmaker: LUKTA QIATSUK (1928-2004) KINNGAIT (CAPE DORSET)
stonecut, 16.5 x 20 in (41.9 x 50.8 cm), framed, sight
21/50
LOT 63
ESTIMATE: $400 — $600

Further images

  • (View a larger image of thumbnail 1 ) SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69
  • (View a larger image of thumbnail 2 ) SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69
  • (View a larger image of thumbnail 3 ) SHEELAKY TAPUNGAI (1902-1985) KINNGAIT (CAPE DORSET), Man Calling to Birds, 1961 #69
View on a Wall
Delight emerges through this composition: rounded forms, mirrored gestures, and a rhythm of wings and limbs that echo across species. The balance of dark and light shapes gives the entire...
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Delight emerges through this composition: rounded forms, mirrored gestures, and a rhythm of wings and limbs that echo across species. The balance of dark and light shapes gives the entire scene a playful, offbeat harmony.


Thanks to the McMichael Canadian Art Collection’s efforts to digitize their holdings, we now have the ability to see the related image (CD.96.2.1), a preparatory drawing that reveals fascinating divergences.


The bird with the human-like face, so prominent here, appears at the centre of the original drawing, while the smooth-winged bird, perched at the top of the print, was originally angled differently and placed in the lower left.


Most striking is what’s missing: the wild-tongued beast and two-tailed seal with horned faces, which are both cut from the print. 


References: A detail of the image reproduced in James Houston, Eskimo Prints, (Barre, MA: Barre Publishers, 1971), p. 23, as "Silaki."
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Provenance

Private Collection, Santa Fe, NM.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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