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Open a larger version of the following image in a popup: LUCY QINNUAYUAK (1915-1982) KINNGAIT (CAPE DORSET), Owl at Day Break, 1982 #24
Open a larger version of the following image in a popup: LUCY QINNUAYUAK (1915-1982) KINNGAIT (CAPE DORSET), Owl at Day Break, 1982 #24

LUCY QINNUAYUAK (1915-1982) KINNGAIT (CAPE DORSET)

Owl at Day Break, 1982 #24
Printmaker: EEGYVUDLUK POOTOOGOOK (1931-1999) KINNGAIT (CAPE DORSET)
stonecut and stencil, 23 x 27 in (58.4 x 68.6 cm), framed, sight.
1/50

LOT 156
ESTIMATE: $⁠1,200 — $1,800
PRICE REALIZED: $1,680.00

Further images

  • (View a larger image of thumbnail 1 ) LUCY QINNUAYUAK (1915-1982) KINNGAIT (CAPE DORSET), Owl at Day Break, 1982 #24
  • (View a larger image of thumbnail 2 ) LUCY QINNUAYUAK (1915-1982) KINNGAIT (CAPE DORSET), Owl at Day Break, 1982 #24
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Featured on the cover of the 1982 Cape Dorset print catalogue, Owl at Day Break is one of Lucy Qinnuayuak’s most famous print images. The scratchy texture of the owl’s...
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Featured on the cover of the 1982 Cape Dorset print catalogue, Owl at Day Break is one of Lucy Qinnuayuak’s most famous print images. The scratchy texture of the owl’s plumage undulates softly through its body, then heads off at jaunty angles to form the more clearly defined feathers of wings and tail. The vibrant main body of the owl stands out sharply against the feathers. One gets the impression that this owl is welcoming the morning sun, warm in comparison to the chilly night that preceded it. Like so many of Lucy’s birds, this owl is slightly ungainly and ever so charming.


References: This image is reproduced on the cover of the 1982 Cape Dorset Annual Graphics Catalogue. See the section on the artist in Odette Leroux, ed, Inuit Women Artists: Voices from Cape Dorset, (Hull, QC: Canadian Museum of Civilization, 1994), pp. 71-91. It is interesting to compare Owl at Day Break with another print by Qinnuayuak from the 1982 collection, A Display of Feathers (also illustrated in Inuit Women Artists); although she drew many hundreds (perhaps thousands) of birds, each one truly has its own personality. The 1982 Cape Dorset catalogue memorialized the beloved artist and included a dozen stonecut and stencil prints and two lithographs by “Lucy.”
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Provenance

Private Collection, Ottawa
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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