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Open a larger version of the following image in a popup: PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
Open a larger version of the following image in a popup: PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
Open a larger version of the following image in a popup: PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
Open a larger version of the following image in a popup: PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s

PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET)

Carved Tusk on Igloo Base, early 1970s
stone and ivory, 13.75 x 3 x 2.75 in (34.9 x 7.6 x 7 cm)
signed, "P. KARLIK / ᐱᐊᕆ / ᑲᓕ".
LOT 104
ESTIMATE: $2,000 — $3,000
PRICE REALIZED: $1,920.00

Further images

  • (View a larger image of thumbnail 1 ) PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
  • (View a larger image of thumbnail 2 ) PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
  • (View a larger image of thumbnail 3 ) PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
  • (View a larger image of thumbnail 4 ) PIERRE KARLIK (1931-2013) KANGIQLINIQ (RANKIN INLET), Carved Tusk on Igloo Base, early 1970s
  • Carved Tusk on Igloo Base
This tusk is covered from all angles with a menagerie of Arctic animals, including a hare, a fox, a plethora of geese, an owl, and even an ermine, all carved...
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This tusk is covered from all angles with a menagerie of Arctic animals, including a hare, a fox, a plethora of geese, an owl, and even an ermine, all carved in bas relief and punctuated with four human faces that peer from between them. With an eye for detail and fine finishing, Karlik’s work has been seen as some of the most popular and influential to come from his community of Rankin Inlet. While his colleagues John Kavik and John Tiktak have greater reputations in the South, Karlik made a good living selling his more realistic sculptures to mostly a local market of resident and visiting qallunaat. Born in Chesterfield Inlet, Karlik spent five years in hospital there recovering from polio, and likely began to carve during that time before his move to Rankin Inlet in 1961. 


References: For a quite similar fine example of the artist’s work see Jean Blodgett, Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art, (Toronto: Art Gallery of Ontario, 1983), cat. 141, pp. 215-217. For other important works by the artist see Christine Lalonde and Natalie Ribkoff, ItuKiagâtta! Inuit Sculpture from the Collection of the TD Bank Financial Group, (Ottawa: National Gallery of Canada, 2005), p. 48.
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Provenance

Private Collection, Toronto.
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Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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