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Open a larger version of the following image in a popup: SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
Open a larger version of the following image in a popup: SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
Open a larger version of the following image in a popup: SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
Open a larger version of the following image in a popup: SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966

SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River)

Standing Caribou, c. 1966
stone and antler, 7 x 5.75 x 2.75 in (17.8 cm x 14.6 x 7 cm)
unsigned.

LOT 100
ESTIMATE: $700 — $1,000

Further images

  • (View a larger image of thumbnail 1 ) SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
  • (View a larger image of thumbnail 2 ) SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
  • (View a larger image of thumbnail 3 ) SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
  • (View a larger image of thumbnail 4 ) SOLOMONIE TIGULLARAQ (1924-2000) Kangiqtugaapik (Clyde River), Standing Caribou, c. 1966
  • Standing Caribou
Solomonie Tigullaraq was the son of the Cape Dorset sculptor and graphic artist Tudlik, and brother of the beloved sculptor Latcholassie Akesuk (see previous lot 99), with whom he shared...
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Solomonie Tigullaraq was the son of the Cape Dorset sculptor and graphic artist Tudlik, and brother of the beloved sculptor Latcholassie Akesuk (see previous lot 99), with whom he shared a quirky view of the world. This homespun caribou makes a fascinating comparison with a much published version made by Tigullaraq in 1964 and sold to Terry Ryan during Ryan’s 1964 North Baffin drawing-collecting trip. Arguably the 1964 version (included in the famous Sculpture/Inuit exhibition) is more elegant and polished despite being more “archaic-looking.” On the other hand, our 1966 Standing Caribou is more naturalistically carved, but with a folk art sensibility that makes it one of the most adorable depictions of the animal we have ever seen. While the older version seems almost part wolf, this one seems to have a touch of polar bear.


Literature: For a 1964 Caribou by the artist see Canadian Eskimo Arts Council, Sculpture/Inuit (University of Toronto Press, 1971) cat. 141; and in George Swinton’s Eskimo Sculpture (Toronto: M&S, 1965) p. 187, and elsewhere. For other sculptures by the artist see Maria Von Finckenstein, “Salomonie Tigullaraq: One of those Unnoticed Artists” in Inuit Art Quarterly (Winter 2001), pp. 33-42. See also the exhibition A Clyde River Original: An Exhibition of Sculptures by Solomonie Tigullaraq, at FirstArts.ca.
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Provenance

Acquired directly from the artist by the present Private Collection, Ontario. 

Publications

Published: Maria Von Finckenstein, “Salomonie Tigullaraq: One of those Unnoticed Artists,” (Inuit Art Quarterly, Winter 2001), p. 39.
(Note: in that illustration the antlers are installed backwards.)
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