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Open a larger version of the following image in a popup: VICTORIA MAMNGUQSUALUK (1930-2016) QAMANI'TUAQ (BAKER LAKE), Untitled (Scene from Kiviuq), 1970s
Open a larger version of the following image in a popup: VICTORIA MAMNGUQSUALUK (1930-2016) QAMANI'TUAQ (BAKER LAKE), Untitled (Scene from Kiviuq), 1970s

VICTORIA MAMNGUQSUALUK (1930-2016) QAMANI'TUAQ (BAKER LAKE)

Untitled (Scene from Kiviuq), 1970s
coloured pencil on heavy wove paper, 22 x 30 in (55.9 x 76.2 cm), framed
signed, "ᒪᒍᓯᐊᓗ".
LOT 29
ESTIMATE: $600 — $900

Further images

  • (View a larger image of thumbnail 1 ) VICTORIA MAMNGUQSUALUK (1930-2016) QAMANI'TUAQ (BAKER LAKE), Untitled (Scene from Kiviuq), 1970s
  • (View a larger image of thumbnail 2 ) VICTORIA MAMNGUQSUALUK (1930-2016) QAMANI'TUAQ (BAKER LAKE), Untitled (Scene from Kiviuq), 1970s
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Victoria Mamnguqsualuk is renowned for her depictions of Kiviuq, the immortal wandering hero whose story has been carried through generations of Arctic oral tradition and found vivid artistic expression among...
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Victoria Mamnguqsualuk is renowned for her depictions of Kiviuq, the immortal wandering hero whose story has been carried through generations of Arctic oral tradition and found vivid artistic expression among Baker Lake artists. Time and again, she gave Kiviuq form in a style that was unmistakably her own. Across drawings, prints, and works on cloth, she returned to scenes of the hero locked in confrontation with animals or hybrid beings. In this drawing, Kiviuq faces a many-headed, bear-like creature disguised in human form. An x-ray view of its stomach reveals the grim fate of earlier victims, both human and animal.



A hallmark of Mamnguqsualuk’s practice is the serial unfolding of a story within a single image. This drawing, executed in coloured pencil, is crisp and deliberate, relying on black and white with touches of colour to emphasize key elements. Charged with energy and taut with drama, it stands as a quintessential example of her narrative mastery.


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Provenance

Private Collection, Saskatoon, SK.

Literature

For more information about Victoria Mamnguqsualuk and her art see Charles Moore, Keeveeok Awake!: Mamnguqsualuk and the Rebirth of Legend at Baker Lake (Edmonton: Ring House Gallery / University of Alberta Press, 1986). See also the recent solo exhibition of work in Victoria Mamnguqsualuk, Toronto, Art Gallery of Ontario, 10 September 2022 - 2 January 2023.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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