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Open a larger version of the following image in a popup: VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
Open a larger version of the following image in a popup: VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
Open a larger version of the following image in a popup: VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
Open a larger version of the following image in a popup: VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963

VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND)

Fighting over a Woman, 1963
stone, 5.5 x 10.25 x 4 in (14 x 26 x 10.2 cm)
signed, "VICTOR EKKOTAK / HOLMAN ISLAND /63".
LOT 132
ESTIMATE: $2,500 — $3,500
PRICE REALIZED: $2,400.00
A world record price for the artist at auction.

Further images

  • (View a larger image of thumbnail 1 ) VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
  • (View a larger image of thumbnail 2 ) VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
  • (View a larger image of thumbnail 3 ) VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
  • (View a larger image of thumbnail 4 ) VICTOR EKOOTAK (1916-1965) ULUKHAKTOK (HOLMAN ISLAND), Fighting over a Woman, 1963
  • Fighting over a Woman
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One of founding members of the Holman Co-op, Victor Ekootak began working there in 1961 while he was still living on the land. He was one of the first to...
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One of founding members of the Holman Co-op, Victor Ekootak began working there in 1961 while he was still living on the land. He was one of the first to experiment with drawing and printmaking in Holman in the early 1960s. His death in 1965 cut short a promising art career; his naturalistic drawing style was much admired, as was his skill at carving stone. Fighting Over a Woman is sculpted and finished with extraordinary precision and realism. And amazingly, the complex scene is carved from a single piece of stone!


Holman sculptures from this early period are relatively rare. Much better known are the silhouette-style stonecut prints which illustrate a variety of hunting and camp scenes, shamanic themes, and like this carving, sometimes scenes of violence and social strife. Fellow artists Helen Kalvak and Flossie Pappidluk created drawings on this theme, and these were translated into prints. To our knowledge Ekootak did not, but this fine sculpture is almost like a classic Holman print come to life in three dimensions.


References: For Holman prints with the same theme see one by Helen Kalvak: Fight for Wife (1973 #3); and two by Flossie Pappidluk: She’s Mine! (1970 #49), and Fight for a Woman (1977 #28). For a similarly themed work by an unidentified Kugluktuk (Coppermine) carver see Dorothy Harley Eber, Images of Justice: A Legal History of the Northwest Territories as Traced Through the Yellowknife Courthouse Collection of Inuit Sculpture, (Montreal/Kingston: McGill-Queen’s Press, 1997), p. 76. For a discussion of Ekootak’s life and graphic art see Darlene Coward Wight, Holman: Forty Years of Graphic Art, (Winnipeg: Winnipeg Art Gallery, 2001), pp. 22-24.
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Provenance

Collection of John and Joyce Price, Seattle.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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