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Open a larger version of the following image in a popup: KANANGINAK POOTOOGOOK, R.C.A. (1935-2010) KINNGAIT (CAPE DORSET), Polar Bear and Cub, 2002

KANANGINAK POOTOOGOOK, R.C.A. (1935-2010) KINNGAIT (CAPE DORSET)

Polar Bear and Cub, 2002
black ink and coloured pencil on paper, 26 x 20 in (66 x 50.8 cm)
titled, "ᐊᒋᒃᓕᒃ ᓇᓄᖅ";
inscribed, "ᓄᓇᕗᑦ (Nunavut) ᑭᖖᒐᕐᐃᑦ (Kinngait)";
signed and dated, "ᑲᓇᖕᒋᓇᖅ" 2002"
LOT 2
ESTIMATE: $1,000 — $1,500
PRICE REALIZED: $2,196.00
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In this tender yet striking portrayal of Arctic wildlife, Kananginak Pootoogook invites us into a moment of unexpected intimacy between a mother bear and her cub. The adult bear looms...
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In this tender yet striking portrayal of Arctic wildlife, Kananginak Pootoogook invites us into a moment of unexpected intimacy between a mother bear and her cub. The adult bear looms large, front paws lifted high and claws sharply etched against the pale backdrop of fur and snow—a posture that suggests the latent power and potential ferocity of the animal. And yet, any trace of menace dissolves as the bear leans down, her massive form bending toward her cub, whose small, inky tongue reaches up to touch its mother’s nose. This is not a scene of survival or dominance but of play of connection.



Kananginak renders the moment with a precision born of deep familiarity. The composition’s near-monochrome simplicity is punctuated by gentle whispers of colour, softening the starkness of the Arctic landscape without diminishing its clarity. It is in such subtlety that Kananginak’s mastery emerges: his ability to capture not only the physical form of the animals he observed but also the emotional world they inhabit. In this quiet, almost suspended tableau, the viewer is reminded that the Arctic—often portrayed as a realm of extremes—is also a place of profound tenderness, where life unfolds in scenes of both beauty and fragility.

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Provenance

A Toronto Collection.
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