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Open a larger version of the following image in a popup: PARR (1893-1969) KINNGAIT (CAPE DORSET), Untitled (Men with Spears, their Dogs Encircling a Seal Pup, with a Goose, a Walrus, and a Polar Bear), c. 1965-67

PARR (1893-1969) KINNGAIT (CAPE DORSET)

Untitled (Men with Spears, their Dogs Encircling a Seal Pup, with a Goose, a Walrus, and a Polar Bear), c. 1965-67
graphite on wove paper, 20 x 26 in (50.8 x 66 cm)
signed, "ᐸ".
LOT 80
ESTIMATE: $3,500 — $5,000
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In 1961, an accident ended Parr’s career as a hunter. He was sixty-eight when Terry Ryan encouraged him to begin drawing, an unlikely turn that opened into an astonishing late...
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In 1961, an accident ended Parr’s career as a hunter. He was sixty-eight when Terry Ryan encouraged him to begin drawing, an unlikely turn that opened into an astonishing late career. Though it lasted only a few years, he produced nearly two thousand works, first in pencil and later in felt-tip marker and coloured pencil. His works generally feature scenes from the hunt and serve as a visual record of a rapidly vanishing way of life. In this drawing, two men, perhaps father and son, pursue a seal, their faithful dogs forming a tight circle around a pup cut off from its mother. Above, a goose takes flight, while at the base of the image a massive polar bear and walrus anchor the composition. All together they testify to Parr’s understanding of the deep interconnection between Inuit life and the animals of air, land, and sea.


MBL


References: For an overview of Parr’s stylistic progression: see Marion Jackson, Parr: His Drawings, (Halifax, Mount Saint Vincent University, 1988) and Ingo Hessel, “The Drawings of Parr: A Closer Look,” Inuit Art Quarterly, Fall 1998, Vol. 3, No. 4, p.12-20; For works of a similar age, see: Gerald McMaster ed., Inuit Modern: The Samuel and Esther Sarick Collection, (Toronto: Art Gallery of Ontario, 2010), p. 166-7. For information about the artist, see Terry Ryan, “Parr” in The Beaver, Autumn 1979; this article was subsequently reprinted in Alma Houston, ed., Inuit Art: An Anthology, (Winnipeg: Watson & Dwyer, 1988), pp. 38-41.
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Provenance

Collection of John & Joyce Price, Seattle, WA.
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