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Open a larger version of the following image in a popup: JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977
Open a larger version of the following image in a popup: JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977
Open a larger version of the following image in a popup: JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977

JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE)

At the Fish Weir , 1977
coloured pencil and graphite on heavy wove BFK Rives watermarked paper, 15 x 22.25 in (38.1 x 56.5 cm)
signed and inscribed with artist's disc number, "ᑭᒍᓯᐅ ' E271".
LOT 66
ESTIMATE: $800 — $1,200
PRICE REALIZED: $671.00

Further images

  • (View a larger image of thumbnail 1 ) JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977
  • (View a larger image of thumbnail 2 ) JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977
  • (View a larger image of thumbnail 3 ) JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE), At the Fish Weir , 1977
View on a Wall
Drawings by Kigusiuq from early in her career in the 1970s are quite complex, with little colour, and often incorporating numerous small, busy figures. Toward the end of her life...
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Drawings by Kigusiuq from early in her career in the 1970s are quite complex, with little colour, and often incorporating numerous small, busy figures. Toward the end of her life Kigusiuq designed her pictures with fewer, larger figures and large fields of colour, even going so far as to create pure semi-abstract landscapes or as can be seen in this drawing, as a narrative set in a landscape. In this fine drawing the artist plays with both colour and the white paper in different ways: solid blocks of colour are used for the water and the fish; lovely swirls of colour are carefully blended to “paint” the shoreline and the stones that form the weir; and Kigusiuq uses the white of the paper to define the figures of the fishers. We love the way all of these elements are so beautifully balanced in the composition.


As I remember, my uncle Quingangnaq used to fish with a spear all the time. When the mosquitoes came, in July, we would make a fish weir and we would spear the fish. It is a lot of fun. Sometimes we would just grab them and sometimes spear them. The bigger ones were Arctic char…. It was hard after that, as we had to carry the fish, clean them, and store them.
(From an artist interview by Ingo Hessel in 2004)
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Provenance

Private Collection, Lunenburg, NS.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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