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Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006
Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006
Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006

MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR

It's Irrelevant , 19 December 2006
limestone, bone, ebony, padauk, mahogany, birch, enamel, sinew, 13.75 13.5 x 5 in (34.9 x 34.2 x 12 cm)
signed and dated, "MASSIE 06 / DEC 19";
titled '"IT'S IRRELEVANT"'.
LOT 29
ESTIMATE: $4,000 — $6,000

Further images

  • (View a larger image of thumbnail 1 ) MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006
  • (View a larger image of thumbnail 2 ) MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006
  • (View a larger image of thumbnail 3 ) MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, It's Irrelevant , 19 December 2006
While attending a sculpture workshop in Nain, Nunatsiavut, an elder Inuit sculptor suggested to Michael Massie that he should not use power tools as people in the south only considered...
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While attending a sculpture workshop in Nain, Nunatsiavut, an elder Inuit sculptor suggested to Michael Massie that he should not use power tools as people in the south only considered Inuit sculptures made with traditional hand tools to be authentic. Massie, surprised by this opinion, instead opting for an embrace of technology to spur his own artistic innovation. For him, what is important is the work itself and the story behind it. True to the title, how it was made is irrelevant! In fact, this detailed and realistic portrayal of a sculptor holding a pick axe and an electric grinder would have been both difficult and more time-consuming without such tools. Tools aside, the unique mixing of mediums here including limestone, various woods, enamel, sinew, and more, has resulted in a fascinating sculpture - a stunning visual display of Massie’s innovation as an artist, made possible (and more efficient) with power tools.


PF


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Provenance

Spirit Wrestler Gallery, Vancouver;
Acquired from the above by John and Joyce Price, Seattle.

Exhibitions

Vancouver, Spirit Wrestler Gallery, 50 @ 50: Celebration of Metal and Stone: Michael Massie, Oct. 27-Nov. 9, 2012, cat. no. 1, unpaginated.

Publications

Nigel Reading, et. al, 50 @ 50: Celebration of Metal and Stone: Michael Massie, (Vancouver, BC: Spirit Wrestler Gallery, 2012), cat. no. 1.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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