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Open a larger version of the following image in a popup: LUKE ANGUHADLUQ (1895-1982) QAMANI’TUAQ (BAKER LAKE), Musk-Ox Eating Grass, 1973 (1974 #16)
Open a larger version of the following image in a popup: LUKE ANGUHADLUQ (1895-1982) QAMANI’TUAQ (BAKER LAKE), Musk-Ox Eating Grass, 1973 (1974 #16)

LUKE ANGUHADLUQ (1895-1982) QAMANI’TUAQ (BAKER LAKE)

Musk-Ox Eating Grass, 1973 (1974 #16)
Printmaker: SIMON TOOKOOME (1934-2010) QAMANI’TUAQ (BAKER LAKE)
stonecut and stencil, 25 x 37 in (63.5 x 94 cm), framed
29/50
LOT 63
ESTIMATE: $1,000 — $1,500

Further images

  • (View a larger image of thumbnail 1 ) LUKE ANGUHADLUQ (1895-1982) QAMANI’TUAQ (BAKER LAKE), Musk-Ox Eating Grass, 1973 (1974 #16)
  • (View a larger image of thumbnail 2 ) LUKE ANGUHADLUQ (1895-1982) QAMANI’TUAQ (BAKER LAKE), Musk-Ox Eating Grass, 1973 (1974 #16)
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One of Luke Anguhadluq’s most remarkable innovations is his distinctive use of mixed perspective, and Musk-Ox Eating Grass is a powerful example. The artist rotates the animal’s head ninety degrees,...
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One of Luke Anguhadluq’s most remarkable innovations is his distinctive use of mixed perspective, and Musk-Ox Eating Grass is a powerful example. The artist rotates the animal’s head ninety degrees, allowing us to admire its sweeping horns from above, as if we are briefly granted a bird’s-eye view. Even the groundline follows this visual logic, tilted upward so we can watch the muskox graze.


Printmaker Simon Tookoome translates Anguhadluq’s energetic drawing into the stonecut medium with extraordinary fidelity [1]. The muskox’s dark, heavily textured body is articulated through an intricate mesh of crosshatching, creating a dense, almost sculptural form that anchors the centre of the page. Encircling this mass is a radiant counterpoint, sweeping arcs of golden orange and bright yellow land lend the image a sense of rhythm and movement. The horns, rendered in luminous yellow, depart from anatomical accuracy to curl and unfurl with graphic exuberance.


1. See Anguhadluq’s original drawing in Driscoll, Uumajut, 1985, cat. 12, p. 55.


ND


References: This work is reproduced in Ernst Roch ed., Arts of the Eskimo: Prints, (Montreal/Toronto: Signum/Oxford, 1974). See Anguhadluq’s original drawing in Bernadette Driscoll, Uumajut: Animal Imagery in Inuit Art, (Winnipeg: Winnipeg Art Gallery, 1985), cat. 12, p. 55.
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Provenance

Collection of John and Joyce Price, Seattle.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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