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Open a larger version of the following image in a popup: SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
Open a larger version of the following image in a popup: SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
Open a larger version of the following image in a popup: SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
Open a larger version of the following image in a popup: SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s

SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY)

Screeching Bird Spirits, c. early 1970s
whale bone and antler, 14.75 x 22 x 18.5 in (37.5 x 55.9 x 47 cm)
signed, "ᐊᓇᐅᔭ".
LOT 28
ESTIMATE: $2,000 — $3,000

Further images

  • (View a larger image of thumbnail 1 ) SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
  • (View a larger image of thumbnail 2 ) SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
  • (View a larger image of thumbnail 3 ) SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
  • (View a larger image of thumbnail 4 ) SAKKIASSEE ANAIJA (1913-1980) TALOYOAK (SPENCE BAY), Screeching Bird Spirits, c. early 1970s
Anaija was one of the pioneers of the Taloyoak carving style that focused on shamanic and spiritual themes beginning in the late 1960s. The preeminent Taloyoak carver in this early...
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Anaija was one of the pioneers of the Taloyoak carving style that focused on shamanic and spiritual themes beginning in the late 1960s. The preeminent Taloyoak carver in this early period, he influenced many artists including the much younger Karoo Ashevak, whose meteoric rise in the early 1970s eventually overshadowed Anaija’s own achievements. While Anaija’s raw material of choice was whale bone, this wonderfully sinuous composition is delicately carved from caribou antler set into a bone base. The undulating, serpentine forms of these Bird Spirits remind us of the elegant antler birds carved by Baker Lake artists in the mid 1960s, but this brilliant composition by Anaija infuses the work with the powerful sense of spirituality and the surreal that is the hallmark of Kitikmeot sculpture.


References: See the section on this artist in Darlene Coward Wight, Art & Expression of the Netsilik, (Winnipeg: Winnipeg Art Gallery, 2000), pp. 58-61. For an important work by the artist see First Arts, 14 June 2022, Lot 70; also reproduced in George Swinton, Sculpture of the Inuit, (Toronto: McClelland & Stewart, 1972/92), fig. 811 (along with two other works, figs, 808, 814).
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Provenance

Private Collection, Nova Scotia.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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