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Open a larger version of the following image in a popup: JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)
Open a larger version of the following image in a popup: JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)
Open a larger version of the following image in a popup: JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)

JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE)

Angutkoq, 1975 (1976 #3)
Printmaker: PHILLIPA ANINGNERK IKSIRAQ (1944-)
silkscreen, 13 x 16 in (33 x 40.6 cm), framed, sight
5/50
LOT 8
ESTIMATE: $600 — $900
PRICE REALIZED: $610.00

Further images

  • (View a larger image of thumbnail 1 ) JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)
  • (View a larger image of thumbnail 2 ) JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)
  • (View a larger image of thumbnail 3 ) JESSIE OONARK, O.C., R.C.A (1906-1985) QAMANI'TUAQ (BAKER LAKE), Angutkoq, 1975 (1976 #3)
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In Power of Thought, Bouchard offers a compelling analysis of this print, observing, “In this image of an angutkoq (a shaman), a highly stylized chevron pattern on the figure's chest...
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In Power of Thought, Bouchard offers a compelling analysis of this print, observing, 

“In this image of an angutkoq (a shaman), a highly stylized chevron pattern on the figure's chest mimics the human skeleton and the shaman's capacity to see himself in human form. The parka trim and fringe reconfigured as an ornamental belt. Repeated, modified 'V' shapes extending from the his [sic] knees, shoulder joints, and head manifest the mental and physical energy required to perform shamanic feats. The figure, crowned with the shaman's indispensable helping spirit, can be read as in flight. The shaman's ability to fly was regarded as the most remarkable feat of all" (op. cit).



This description reveals the layers of meaning embedded within the image, where every detail—from the chevron patterns to the ornamental belt—communicates aspects of the shaman's transformative power. The repeated “V” shapes radiating from key points of the body suggest both motion and the harnessing of energy, while the figure’s spirit companion solidifies its role as an intermediary between realms. Together, these elements create an image that transcends the static nature of the print, offering a vivid depiction of shamanic flight as both a physical and spiritual act.

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Provenance

Private Collection, Ontario

Literature

Image reproduced in Marie Bouchard, Power of Thought: The Prints of Jessie Oonark, exh. cat., (Richmond, VA: Marsh Art Gallery, 2001), p. 30.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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