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Open a larger version of the following image in a popup: WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)
Open a larger version of the following image in a popup: WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)
Open a larger version of the following image in a popup: WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)

WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE)

Fat Caribou, 1971 (1972 #23)
Printmaker: MARTHA NOAH (1943-) QAMANI'TUAQ (BAKER LAKE)
stencil, 17.25 x 22.75 in (43.8 x 57.8 cm), framed
30/37
LOT 16
ESTIMATE: $250 — $350
PRICE REALIZED: $366.00

Further images

  • (View a larger image of thumbnail 1 ) WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)
  • (View a larger image of thumbnail 2 ) WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)
  • (View a larger image of thumbnail 3 ) WILLIAM NOAH (1943-2020) QAMANI'TUAQ (BAKER LAKE), Fat Caribou, 1971 (1972 #23)
In Fat Caribou, stenciling creates a rich, speckled texture across the caribou’s body, giving it a sense of density and movement. A lighter grey wash is used to subtly define...
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In Fat Caribou, stenciling creates a rich, speckled texture across the caribou’s body, giving it a sense of density and movement. A lighter grey wash is used to subtly define the belly, adding dimension and weight without contour lines. The muted antlers and soft black hooves are grounded by a vivid green hill and a stacked black stone cairn. The restrained palette heightens the contrast between motion and stillness, gesture and landscape
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Provenance

Private Collection, Toronto;
Estate of the Above
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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