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Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s

PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE)

Three Figures (Mother, Father, and Child), mid 1970s
stone, 7 x 9.75 x 5 in (17.8 x 24.8 x 12.7 cm)
signed, "ᐱᑕ /ᓯᕗᒐ".
LOT 80
ESTIMATE: $3,500 — $5,000

Further images

  • (View a larger image of thumbnail 1 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
  • (View a larger image of thumbnail 2 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
  • (View a larger image of thumbnail 3 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
  • (View a larger image of thumbnail 4 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
  • (View a larger image of thumbnail 5 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Three Figures (Mother, Father, and Child), mid 1970s
Peter Sevoga was one of the top names in Qamani’tuaq sculpture in the early 1970s, despite still being a young man. This lovely and quite moving sculpture is a brilliant...
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Peter Sevoga was one of the top names in Qamani’tuaq sculpture in the early 1970s, despite still being a young man. This lovely and quite moving sculpture is a brilliant example of Sevoga’s early classic style, which typically featured depictions of family units, both large and small (for a fine work featuring a family of ten, see Lot 49). Here, a small family of three is shown closely huddled together. Sevoga handles the considerable mass of the stone with delicacy and aplomb. The bulky figures are elegantly placed in a triangular composition and enlivened by a combination of negative space at the bottom and the dynamic flourishes of arm gestures. The somewhat melancholy facial expressions suggest that perhaps the family is saying goodbye to a departing friend or relative.


Reference: For a similar work by Sevoga see Ingo Hessel, Inuit Art: An Introduction, (Vancouver: Douglas & McIntyre / New York: Harry Abrams / London: British Museum Press, 1998), pl. 53, p. 69.
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Provenance

Private Collection, Toronto;
Estate of the above.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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