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Open a larger version of the following image in a popup: TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
Open a larger version of the following image in a popup: TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
Open a larger version of the following image in a popup: TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
Open a larger version of the following image in a popup: TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53

TOONOO (1920-1969) KINNGAIT (CAPE DORSET)

Standing Man, c. 1950-53
stone, 5.75 x 2.5 x 1.5 in (14.6 x 6.3 x 3.8 cm), measurements reflect dimensions without later added base.
unsigned.
LOT 3
ESTIMATE: $2,000 — $3,000

Further images

  • (View a larger image of thumbnail 1 ) TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
  • (View a larger image of thumbnail 2 ) TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
  • (View a larger image of thumbnail 3 ) TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
  • (View a larger image of thumbnail 4 ) TOONOO (1920-1969) KINNGAIT (CAPE DORSET), Standing Man, c. 1950-53
This fine and very early Cape Dorset sculpture is the work of Toonoo. Toonoo was admired as a gifted sculptor, but he was never prolific. Standing Man is stylistically very...
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This fine and very early Cape Dorset sculpture is the work of Toonoo. Toonoo was admired as a gifted sculptor, but he was never prolific. Standing Man is stylistically very similar to another figure by the artist in the Sarick Collection at the Art Gallery of Ontario [1]. The parka design is also quite similar, and even the stone type is the same. Several Kinngait artists tried carving this rather tricky material in the early to mid 1950s. We love the archaic aura of this work; it looks not merely old, but positively ancient. Interestingly, Toonoo was the father of Oviloo Tunnillie, Jutai Toonoo, and Sam Toonoo, all talented artists, and husband of the graphic artist Sheojuke Toonoo [2].


1. See Gerald McMaster ed., Inuit Modern, (Toronto: AGO, 2010), p. 67.

2. See the Feheley Fine Arts catalogue, Toonoo’s Legacy, (Toronto, Feheley Fine Arts, 2002).


References: For other works by the artist see Gerald McMaster, ed., Inuit Modern: The Samuel and Esther Sarick Collection, (Toronto: Art Gallery of Ontario, 2010), p. 67; Jean Blodgett, Cape Dorset, (Winnipeg: Winnipeg Art Gallery, 1980), cat. 71, p. 103. For biographical information on the artist see Feheley Fine Arts, Toonoo’s Legacy, (Toronto, Feheley Fine Arts, 2002).
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Provenance

Private Collection;
Waddington’s Auctions, 4 June 1997, Lot 1128;
Private Collection, Toronto.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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