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Open a larger version of the following image in a popup: CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987
Open a larger version of the following image in a popup: CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987
Open a larger version of the following image in a popup: CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987

CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET

Dzunuḵ̓wa (Wild Woman) Mask, 1987
red cedar wood, 17 x 10 x 9.5 in (43.2 x 25.4 x 24.1 cm)
signed and dated, "SAM JOHNSON / '87".
LOT 30
ESTIMATE: $1,200 — $1,800
PRICE REALIZED: $854.00

Further images

  • (View a larger image of thumbnail 1 ) CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987
  • (View a larger image of thumbnail 2 ) CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987
  • (View a larger image of thumbnail 3 ) CHIEF SAM JOHNSON (1935-?) KWIKWASUT’INUXW HAXWA’MIS, KWAKWA̱KA̱ʼWAKW, KINGCOME INLET, Dzunuḵ̓wa (Wild Woman) Mask, 1987
Chief Sam Johnson was a prolific artist who spent many years creating masks on Gilford Island, BC, his wife’s home community. The influence of Gilford Island artists on Johnson’s work...
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Chief Sam Johnson was a prolific artist who spent many years creating masks on Gilford Island, BC, his wife’s home community. The influence of Gilford Island artists on Johnson’s work is readily apparent here, especially that of Jack James (Kwakwaka’wakw, c. 1902-1980). Today, Johnson’s masks can be found in the collections of the UBC Museum of Anthropology in Vancouver, The Glenbow Museum in Calgary, and the Autry Museum in Los Angeles.


This well-carved, unpainted red cedar mask depicts a Dzunukwa, or Giant of the Woods, which can be identified by its sleepy, mostly closed eyes, sunken cheeks, and round, pursed lips. The nose is depicted in a sharply hooked fashion, similar to a Bak’was, and the eyebrows are carved with curled ends, mimicking long hair. Although unpainted, this mask is highly sculptural and features carved forms paired with interesting lines and angles in its construction, particularly around the eyes and cheeks of the Dzunukwa.


—Christopher W. Smith


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Provenance

Ex. Coll. Norman Socha;
Bequest to his son, Douglas Socha;
Gallery Indigena, Straford, Ontario;
Acquired from the above by a Private Collection, accompanied by a copy of the invoice, dated 17 Aug 2003, as "Tsonakwa" [sic*]
Estate of the above.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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