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Open a larger version of the following image in a popup: PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s
Open a larger version of the following image in a popup: PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s
Open a larger version of the following image in a popup: PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s

PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW

Sun Mask with Headgear, mid-late 1980s
cedar wood, acrylic paint, fur, foam, cotton fabric, and cotton thread, 27.5 x 41.5 x 9 in (69.8 x 105.4 x 22.9 cm)
apparently unsigned.
LOT 28
ESTIMATE: $2,000 — $3,000
PRICE REALIZED: $2,440.00

Further images

  • (View a larger image of thumbnail 1 ) PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s
  • (View a larger image of thumbnail 2 ) PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s
  • (View a larger image of thumbnail 3 ) PROBABLY BILL HENDERSON (1950-) WEI WAI KUM KWAKWA̱KA̱ʼWAKW, Sun Mask with Headgear, mid-late 1980s
This large-scale mask depicts the Sun, an important figure in Kwakwaka’wakw cosmology. Although unsigned, this mask strongly resembles other Sun masks by Wei Wai Kum First Nation master carver Bill...
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This large-scale mask depicts the Sun, an important figure in Kwakwaka’wakw cosmology. Although unsigned, this mask strongly resembles other Sun masks by Wei Wai Kum First Nation master carver Bill Henderson. In particular, the way the nose and nostrils are formed and the black outlines around the edge of the teeth are diagnostic features of Henderson’s work. It’s carved in red cedar and painted in yellow, red, and black. The face of the Sun, topped with deer fur, is surrounded by a corona of complex split-u forms and five long rays fanning out around three-quarters of the mask. The Sun has an intense expression with piercing eyes and bared teeth, creating a highly eccentric and sculptural mask that meets the gaze of the viewer.


—Christopher W. Smith


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Provenance

Gallery Indigena, Stratford, Ontario;
Acquired from the above by a Private Collection, accompanied by a copy of the invoice, dated 8 June 2003;
Estate of the above.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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