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Recent Acquisitions
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DREW MICHAEL (1984-) YU'PIK / INUPIAQ, BETHEL / EAGLE RIVER, AK
Moon Scape, Feb 2019
basswood, acrylic paint, blue patinated brass, and tacks, 19 x 13.25 x 5 in (48.3 x 33.7 x 12.7 cm)
This mask was the lead object in a 2019 exhibition of the same name at the Stonington Gallery of Seattle. Of the mask, Micahel stated, “‘Moonscapes’ is a representation of the transitions and spiral of life. I have seen it in the moments so short and close and others farther than the stars we can see.
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HENRY EVALUARDJUK (1923-2007) IQALUIT (FROBISHER BAY)
Dancing Bear, mid-late 1970s
stone, 11.5 x 8.25 x 4.75 in (29.2 x 21 x 12.1 cm)
Henry Evaluardjuk is one of the finest Inuit carvers of polar bears, renowned for his naturalistic portrayals. Henry bears are based on a keen observation of the animal in all stages of life and in all manner of poses (but especially striding or stalking poses).
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MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR
The Ties that Bind Us, 2011
serpentine, antler, ebony, bloodwood, bone, sterling silver, witch-hazel, copper, sinew, brass, and gold leaf, 15.5 x 12.25 x 3.5 in (39.4 x 31.1 x 8.9 cm), measurements reflect dimensions with inset tools
Michael Massie’s powerful sculpture, Ties that Bind Us, expresses his concerns regarding the teachings of Christianity which were imposed on the Inuit, countering their traditional animist beliefs. This spirit figure holds both a Christian sceptre and a kakivak, the traditional Inuit tool used for spearing fish.
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In Focus
Writings, Reflections, and Commentary-
First Arts Returns Sacred Headdress to Northern Cheyenne Tribe
By Nadine Di Monte Read More -
Painted Legacies
The Uniqueness and Unity of Five Anishinaabe Masters Read More -
Of Monuments and Miniatures: Five Model Poles
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Innovators in Tradition: The Visionary Artists of Modern Northwest Coast Art
By Gary Wyatt Read More -
Legacy in Linen
The Undersung Textile Initiative in Kinngait Read More -
Redrawn
Evolutions in First Nations Graphic Art Read More
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