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Open a larger version of the following image in a popup: MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
Open a larger version of the following image in a popup: MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
Open a larger version of the following image in a popup: MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
Open a larger version of the following image in a popup: MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978

MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)

Muskox, c. 1978
stone and antler, 7.5 x 12 x 5.5 in (19.1 x 30.5 x 14 cm)
signed, "ᒪ. ᑐᒋᓕ";
inscribed, "ᓇᐅᔭ [Naujaat (Repulse Bay)".

LOT 148
ESTIMATE: $4,000 — $6,000

Further images

  • (View a larger image of thumbnail 1 ) MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
  • (View a larger image of thumbnail 2 ) MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
  • (View a larger image of thumbnail 3 ) MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
  • (View a larger image of thumbnail 4 ) MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY), Muskox, c. 1978
  • Muskox
Mark Tungilik was born in the Kugaaruk (Pelly Bay) region; his birthdate is usually listed as 1913, although his daughter Theresie believes he was born in 1904. Tungilik began carving...
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Mark Tungilik was born in the Kugaaruk (Pelly Bay) region; his birthdate is usually listed as 1913, although his daughter Theresie believes he was born in 1904. Tungilik began carving as a teenager: small figures in stone, and ivory works including complete dog teams. He was encouraged to continue by missionaries in the 1940s, and by the time James Houston met him in Repulse Bay in 1950, Tungilik was an experienced artist. Although most famous for his ivory miniatures and “micro-miniatures,” Tungilik also carved regularly in stone. Muskoxen, his favoured subjects in this material, could in fact be fairly large. Muskox is a particularly fine example; we think the secret of its considerable charm lies in the fact that it greatly resembles the artist’s miniature versions in ivory. The sculpture’s overall chunky form and proportions are simply scaled up. We say “simply,” but it is no simple matter. The aesthetics and proportions of miniatures and large-scale sculptures are very different; Tungilik’s small people, for example, would look ridiculous at this scale. But for some magical reason, with his muskoxen - perfection!


Literature: For a similar and contemporaneous work by the artist see Marion Scott Gallery, Inspiration: Four Decades of Sculpture by Canadian Inuit (Vancouver, 1995), cat. 12.
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Provenance

Marion Scott Gallery, Vancouver;
Acquired from the above by Fred and Mary Widding, Ithaca, NY, September 2004.

Exhibitions

Ithaca, NY, Handwerker Gallery, Gannett Center, Ithaca College, Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, 26 February - 6 April 2008, cat. no. 39

Publications

Cheryl Kramer & Lillian R. Shafer eds., Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, exh. cat., (Ithaca, NY: Handwerker Gallery, Gannett Center, Ithaca College, 2008), reproduced, cat. no. 39
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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