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Open a larger version of the following image in a popup: ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
Open a larger version of the following image in a popup: ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
Open a larger version of the following image in a popup: ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
Open a larger version of the following image in a popup: ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000

ROBERT KUPTANA (1962-) PAULATUK / OTTAWA

Mother and Child, 2000
stone and ivory, 12 x 7.5 x 4 in (30.5 x 19.1 x 10.2 cm)
signed, "ᕈᐳᑦ ᑯᑉᑕᓇ";
inscribed, "ᐸᐅᓚᖅ (Paulatuk)".

Further images

  • (View a larger image of thumbnail 1 ) ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
  • (View a larger image of thumbnail 2 ) ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
  • (View a larger image of thumbnail 3 ) ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
  • (View a larger image of thumbnail 4 ) ROBERT KUPTANA (1962-) PAULATUK / OTTAWA, Mother and Child, 2000
  • Mother and Child
Robert Kuptana is an Inuvialuit artist, born in Paulatuk (Paulatuuq) in 1962. The younger brother of sculptor Floyd Kuptana and the cousin of David Ruben Piqtoukun and Abraham Anghik Ruben,...
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Robert Kuptana is an Inuvialuit artist, born in Paulatuk (Paulatuuq) in 1962. The younger brother of sculptor Floyd Kuptana and the cousin of David Ruben Piqtoukun and Abraham Anghik Ruben, Kuptana began carving professionally in 1998. While many of his sculptures feature mythological or fantastic beings, this sculpture is a straightforward but thoroughly modern depiction of a Mother and Child, stylized in a manner that emphasizes both the intimacy between the two and the powerful nurturing nature of the mother. The body of the mother is dwarfed by the enormous face of the mother, which is made even more striking by the addition of inlaid ivory eyes and mouth. The scalloped design around the heads of mother and child, depicting the amautiq’s fur trim, is another dramatic touch that emphasizes the faces of the mother and child and reinforces the protective nature of the maternal bond.


Literature: “Dealer’s Choice: Robert Kuptana,” Inuit Art Quarterly (Summer 2001), pp. 34-35. The artist is quoted as saying: “I love carving because for me, it means independence. I like making things that I think are original; I don’t like copying other artists, although I might be inspired by ones I really admire, like Karoo Ashevak.” [p. 35]
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Provenance

Inuit Artists Shop, Inuit Art Foundation, Ottawa, ON;
Acquired from the above by Fred and Mary Widding, Ithaca, NY, June 2001.

Exhibitions

Ithaca, NY, Handwerker Gallery, Gannett Center, Ithaca College, Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, 26 February - 6 April 2008, cat. no. 8

Publications

Inuit Art Quarterly, Summer 2001, Vol. 16, No. 2, reproduced in colour on the cover and reproduced, p. 34 as "Mother and Child, 2000, Robert Kuptana, Paulatuk/Ottawa (green-grey stone and ivory; 12 x 7.5 x 3.75 in.)
Cheryl Kramer & Lillian R. Shafer eds., Of the People; Inuit Sculpture from the Collection of Mary and Fred Widding, exh. cat., (Ithaca, NY,:Handwerker Gallery, Gannett Center, Ithaca College, 2008), reproduced, cat. no. 8
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