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Open a larger version of the following image in a popup: EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
Open a larger version of the following image in a popup: EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
Open a larger version of the following image in a popup: EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
Open a larger version of the following image in a popup: EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s

EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET)

Basking Seal, 1970s
stone, 6.25 x 15.25 x 4.5 in (15.9 x 38.7 x 11.4 cm)
signed, "ᐃᓕ ᓯᒥᒐ".
LOT 31
ESTIMATE: $500 — $800
PRICE REALIZED: $123.00
26 February 2026

Further images

  • (View a larger image of thumbnail 1 ) EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
  • (View a larger image of thumbnail 2 ) EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
  • (View a larger image of thumbnail 3 ) EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
  • (View a larger image of thumbnail 4 ) EELEE SIMIGAK (1931-) KINNGAIT (CAPE DORSET), Basking Seal, 1970s
While there are a handful of Inuit artists who have risen to prominence on the world stage, there are countless journeyman carvers whose names are known to the trade, but...
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While there are a handful of Inuit artists who have risen to prominence on the world stage, there are countless journeyman carvers whose names are known to the trade, but who languish in relative obscurity. Elee Simigak is one such artist. His works are of high calibre, always well carved and expertly finished. This striking seal is a testament to his skill as a craftsman. Interestingly, despite their importance as a food source, seals are somehow less “important” subjects in an Inuit artist’s repertoire, and thus are usually carved in smaller formats, with larger stones reserved for either walrus or bears. Whether polar bears and walrus are more important because they are far more dangerous to Inuit hunters, or because they command more money, is subject to debate.


We sense that Simigak understood that this piece of stone had such beauty that a “less is more” approach was called for. The delicately carved tail flippers and the lovely face attest to Simigak’s skill as a carver, and the basking pose, exposing maximum surface area, also attests to his restraint. It strikes us that both seal and stone are equally important in putting food on the table!

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Provenance

A Toronto Collection.
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FIRST ARTS PREMIERS INC.  
 416-560-6348   |    info@firstarts.ca 

 550 Queen Street East, Suite 300, Toronto, Ontario, Canada, M5A 1V2

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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