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Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880

UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW

Skull Rattle, c. 1880
wood, cedar bark, and metal, 4 x 4.25 x 7.5 in (10.2 x 10.8 x 19.1 cm)
inscribed in black ink in an unknown hand with an accession / registration number (?), "MKW-1-P".

LOT 36
ESTIMATE: $4,000 — $6,000
PRICE REALIZED: $5,040.00

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
  • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, POSSIBLY KWAKWAKA’WAKW, Skull Rattle, c. 1880
  • Skull Rattle
Rattles made in various manifestations of “skullness” were made by the Kwakwaka'wakw, Nuxalk, and other Northwest Coast peoples. Among the Kwakwaka'wakw they were used by ritualists known as ‘heliga’ whose...
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Rattles made in various manifestations of “skullness” were made by the Kwakwaka'wakw, Nuxalk, and other Northwest Coast peoples. Among the Kwakwaka'wakw they were used by ritualists known as ‘heliga’ whose task it was to look after and control the Hamatsa dancers to keep them from attacking the uninitiated of the village. The sound of the rattles is said to calm the wild aspect of the Hamatsa dancers. Through time, the skull-like appearance of these rattles sometimes became diluted into mask-like faces of a more general appearance.


Steven C. Brown


References: For a Kwakwaka'wakw Skull Rattle see Aldona Jonaitis, ed., Chiefly Feasts: The Enduring Kwakiutl Potlatch (Seattle: University of Washington Press, 1991), fig. 4.12. See also Aldona Jonaitis, From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History (New York: AMNH, 1988), pl. 62.


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Provenance

Collected by George T. Emmons in the late 19th century;

Ex Collection Denver Art Museum, Denver, CO, Cat. No. 1937.1555;

A New York Collection.


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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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