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Open a larger version of the following image in a popup: MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S
Open a larger version of the following image in a popup: MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S
Open a larger version of the following image in a popup: MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S

MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE)

When we were Starving, we Started to Walk, 2000S
stroud, felt, embroidery floss, foil embroidery floss, and cotton thread, 29.5 x 18.25 in (74.9 x 46.4 cm)
accompanied by a cartoon of the present textile, graphite on heavy wove paper, 10.25 x 14.25 in (26 x 36.2 cm)
each signed, "MIRIAM QIYUK";
the textile, inscribed, "ᒣᕆ ᐃᒍᑕ / ᓴᓴ ᐊᓇᐅᔪ / ᒪᑕ ᑕᓚᐃᑐ / ᓰᓚᓯ ᕐᑭᔪᒃ / ᐁᕙ ᕐᑲᓇ / ᒣᕆᐊᖦ ᓇᓄᓗ";

the drawing, inscribed, "ᒣᕆ ᐃᒍᑕ / ᓴᓴ ᐊᓇᐅᔪ / ᒪᑕ ᑕᓚᐃᑐᖅ / ᑲᔭ ᐊᓚᐅᓯᒪᒐᑦᑕ / ᓰᓚᓯ ᕐᑭᔪᒃ / ᐱᓱᓂ Hᐱᖓᒪ / ᐅᑎᒥ ᐊᖓ ᔭᖓ ᑦᑕ / ᐁᕙ ᕐᑲᓇ / ᐱᓱᓚᑕᓕᐊᒋᐊᓗᑕ / ᐅᑎᖓᓗᐊᖑᑦᑕ ᑌᑲᓕ / ᓱᓇᑕᕐᑲᖅᑭᒪ ᐊᔭᓕᓂᐊᓕᑐᒍ / ᒣᕆᐊᖦ ᕿᔪᒃ".
LOT 64
ESTIMATE: $1,800 — $2,800
PRICE REALIZED: $5,368.00
1 June 2026

Further images

  • (View a larger image of thumbnail 1 ) MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S
  • (View a larger image of thumbnail 2 ) MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S
  • (View a larger image of thumbnail 3 ) MIRIAM NANURLUQ QIYUK (1933-2016) QAMANI'TUAQ (BAKER LAKE), When we were Starving, we Started to Walk, 2000S
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This work tells a story of hunger, resolve, and survival. Along the upper edge, the inscription begins, “When we were starving,” followed by, “We started to walk.” The scene then...
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This work tells a story of hunger, resolve, and survival. Along the upper edge, the inscription begins, “When we were starving,” followed by, “We started to walk.” The scene then sharpens into a moment of human strain. At the centre, Silas Qiyuk admits that he is too weary to keep going and suggests that they turn back. Miriam Qiyuk answers with painful realism: even if they return, there is nothing there, and they will not survive. That exchange gives the work its emotional core. What might first appear to be a simple group scene is in fact a record of endurance under extreme hardship. From left to right, the artist, Miriam Qiyuk, identifies the figures as Mary Iguptaq, Samson Aqnauyuq, Martha Palaitoq, Silas Qiyuk, Alvin Qanak, and Miriam Qiyuk.


First Arts extends our gratitude to Veronica Puskas for her assistance in cataloguing this lot.


FA


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Provenance

An American Private Collection.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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