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Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890

UNIDENTIFIED ARTIST, HAIDA

Model Canoe, c. 1890
wood and paint, 6 x 23.5 x 7.5 in (15.2 x 59.7 x 19.1 cm)
unsigned.

LOT 100
ESTIMATE: $1,200 — $1,800
PRICE REALIZED: $3,360.00

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • (View a larger image of thumbnail 6 ) UNIDENTIFIED ARTIST, HAIDA, Model Canoe, c. 1890
  • Model Canoe
Carved and steamed canoes are the marine icons of the NW Coast, far exceeding in their refined forms many examples of similar technology from numerous other parts of the world....
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Carved and steamed canoes are the marine icons of the NW Coast, far exceeding in their refined forms many examples of similar technology from numerous other parts of the world. Haida canoe carvers had some of the best red cedar resources on the coast, and made a reputation by trading canoes to other groups like the Tlingit and Tsimshian. The same design of canoe was made down along the coast as far as northern Vancouver Island, among the Kwakwaka'wakw. Historical traders and explorers often commented on their admiration for the canoes they saw in the region and how the people handled them.

This model is an excellent representative of the better models and full-sized canoes of this type from the nineteenth century. It has been deduced from historical drawings and paintings of the region that this canoe design came into being in the early 19th or very late 18th century. The refinement seen in the broad groove parallel to the gunwales’ interior, and the sweeping curves of the bottom and sides from beneath indicate an experienced canoe hand in making this model.


The painted exterior designs on the sides are symmetrical and applied in the traditional areas; composed within defined portions of the bow and stern, flanking an undecorated midsection (which would be much longer in a full-sized canoe), and employing the traditional colors in traditional ways. The designs illustrate a late historic period formline style, c. 1890, with little to no variation in the width of the lines and the unusual use of design elements. With only sketchy representations of creature imagery it’s difficult to positively identify the intended crest designs on the hull, but one possible trio of attributions might include (L to R): a wolf, a bear, and a whale at the stern.


Steven C. Brown


References: For other Haida canoe models see Allen Wardwell, Objects of Bright Pride (Seattle: University of Washington Press, 1978/88), cat. 71; Bill Holm, Spirit and Ancestor: A Century of Northwest Coast Indian Art at the Burke Museum (Seattle: Burke Museum / Vancouver: Douglas & McIntyre, 1987), cat. 56.


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Provenance

Private Collection, British Columbia. 
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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