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Open a larger version of the following image in a popup: UNIDENTIFIED TLINGIT ARTIST, Model Painted Paddle, c. 1900-1920
Open a larger version of the following image in a popup: UNIDENTIFIED TLINGIT ARTIST, Model Painted Paddle, c. 1900-1920

UNIDENTIFIED TLINGIT ARTIST

Model Painted Paddle, c. 1900-1920
cedar wood and paint, 36 x 5.25 x 0.75 in (91.4 x 13.3 x 1.9 cm)
unsigned.
LOT 1
ESTIMATE: $400 — $600
PRICE REALIZED: $732.00
13 August 2026

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED TLINGIT ARTIST, Model Painted Paddle, c. 1900-1920
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED TLINGIT ARTIST, Model Painted Paddle, c. 1900-1920
This model dance paddle was created by a prolific, but as yet unidentified, Tlingit master artist who likely also created the Multiplying Wolf House Screen (Wudzixeedi G ooch) of the...
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This model dance paddle was created by a prolific, but as yet unidentified, Tlingit master artist who likely also created the Multiplying Wolf House Screen (Wudzixeedi Gooch) of the Sitka Kaagwaantaan, now in the possession of the Sitka National Historical Park. [1] The shared proportions and shapes in the formline designs between this paddle and the screen strongly suggest that the same maker created both. In particular, the heads of the two Wolf figures in profile on the right and left of the Multiplying Wolf Screen exhibit a distinct affinity with this dance paddle, especially in the way the artist renders the ears, head, snout, cheeks, and the nested ovoids that make up the eyes and pupils on both works. Additionally, the organizational logic of how long, double split-u’s and standalone salmon-trout heads are deployed on both the paddle and the screen underscores the relationship between the two designs.


Though unpainted, the verso of this paddle features a very similar design to the front. On this side, the image is rendered though incised lines and crosshatching with raised, low-relief areas to create the appearance of depth in the ovoids, eyes, and ears of the abstracted figure.


1. For more information on the Multiplying Wolf Screen and to access photos, please see Wudzixeedi Gooch “Multiplying Wolf” House Screen and Wudzixeedi Gooch House Screen, both on the National Park Service website. Also, please see “The Centennial Potlatch” PDF by Robert W. Preucel and Lucy F. Williams, from the University of Pennsylvania Museum of Archaeology and Anthropology (“Penn Museum,” see link below).
https://www.nps.gov/places/wudzixeedi-gooch-multiplying-wolf-house-screen.htm
https://www.nps.gov/places/wudzixeedi-gooch-house-screen.htm
https://www.penn.museum/documents/publications/expedition/47-2/The Centennial Potlatch.pdf


CWS
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Provenance

Private Collection, Montreal;
Estate of the above.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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