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Open a larger version of the following image in a popup: UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
Open a larger version of the following image in a popup: UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
Open a larger version of the following image in a popup: UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
Open a larger version of the following image in a popup: UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s

UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST

Basketry Covered Shell, c. 1960s
abalone shell, natural and dyed bear grass, 1.5 x 4.75 x 3.5 in (3.8 x 12.1 x 8.9 cm)
LOT 70
ESTIMATE: $500 — $800

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED NUU-CHAH-NULTH or MAKAH ARTIST, Basketry Covered Shell, c. 1960s
This covered abalone shell is another finely accomplished example of Nuu-chah-nulth and Makah pika-uu basketry produced for the tourist trade. At its centre, a bold whirling motif creates an almost...
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This covered abalone shell is another finely accomplished example of Nuu-chah-nulth and Makah pika-uu basketry produced for the tourist trade.

At its centre, a bold whirling motif creates an almost vortex-like effect. Its vivid cherry-red colour remains remarkably strong despite the work having been made nearly a century ago, particularly given the fugitive nature of red dyes. The form of the motif itself is suggestive of a chiton, or gumboot, its radiating sections recalling the distinctive segmented body of the marine mollusc. Around the perimeter, a finely woven whaling scene encircles the shell.


The marvel of works such as this lies in the difficulty of their construction. The fibres had to be carefully selected and prepared, the shell cleaned and polished, and the weaving drawn firmly around its irregular curves without obscuring its natural form. The result depends on extraordinary control, with the basketry fitted so precisely that the woven covering and luminous surface of the shell appear almost inseparable.

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Provenance

An Important Private Collection, Camano Island, WA;
by descent in the family to present Private Collection.
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FIRST ARTS PREMIERS INC.  
 416-560-6348   |    info@firstarts.ca 

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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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