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Open a larger version of the following image in a popup: POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
Open a larger version of the following image in a popup: POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
Open a larger version of the following image in a popup: POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
Open a larger version of the following image in a popup: POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960

POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET)

Snarling Polar Bear, c. 1960
stone, 4.5 x 11 x 2.5 in (11.4 x 27.9 x 6.3 cm)
unsigned.

LOT 12
ESTIMATE: $2,000 — $3,000
PRICE REALIZED: $2,160.00

Further images

  • (View a larger image of thumbnail 1 ) POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
  • (View a larger image of thumbnail 2 ) POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
  • (View a larger image of thumbnail 3 ) POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
  • (View a larger image of thumbnail 4 ) POSSIBLY JOE JAW (1930-1987) KINNGAIT (CAPE DORSET), Snarling Polar Bear, c. 1960
  • Snarling Polar Bear
The possible attribution to Joe Jaw is based on an intriguingly similar work, Fantasy Dog from c. 1961, formerly in the Robertson Collection [1]. Jaw began carving c. 1950 and...
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The possible attribution to Joe Jaw is based on an intriguingly similar work, Fantasy Dog from c. 1961, formerly in the Robertson Collection [1]. Jaw began carving c. 1950 and was active in the very early 1960s but never prolific. Relatively few works are definitively attributed to the artist, yet Fantasy Dog alone marks him as a great talent. Snarling Polar Bear shares with that work a wonderfully attenuated body and a similarly expressive snarling visage. We suggest that our example dates perhaps a year or so before the Robertson work. It’s a prime example of the early sixties Cape Dorset carving style that we have always admired.


1. See Blodgett, The Robertson Collection, 1986, cat. 19; Gustavison, Northern Rock, 1999,  cat. 5.


References: For a similar work by Joe Jaw see Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture, (Kingston: Agnes Etherington Art Centre, 1986), cat. 19; and Susan Gustavison, Northern Rock: Contemporary Inuit Stone Sculpture, (Kleinburg: McMichael Canadian Art Collection, 1999), cat. 5.
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Provenance

Collection of Vivian Julien, a schoolteacher who worked in the Canadian Arctic from the late 1950s until the mid 1970s;

by descent to a Private Collection, Ontario.

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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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