This complex and densely beaded collar exemplifies the Wolastoqiyik (Wəlastəkwewiyik) tradition of leaving little blank space between its floral designs. Well mirrored with only a few points of asymmetry, this work comes from a time where Wolastoqiyik beaders were moving away from using only white beads to create linework, to a style that embraced multiple hues and textures. This can be seen in the many opaque, colour-lined, and metallic beads throughout. The white beads are still very much present in the borders and vines, and shine like tiny beacons against the black velvet and the multicoloured beads around them. Despite the density of this design, the beaded patterns of the individual flowers and leaves give the illusion of depth and make them pop from their flat background.