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Open a larger version of the following image in a popup: ATTRIBUTED TO CHARLES EDENSHAW (DAAX’IGANG or TAHAYGEN) (1839-1920), MASSET, HAIDA GWAII, Spoon, c. 1890-1910
Open a larger version of the following image in a popup: ATTRIBUTED TO CHARLES EDENSHAW (DAAX’IGANG or TAHAYGEN) (1839-1920), MASSET, HAIDA GWAII, Spoon, c. 1890-1910

ATTRIBUTED TO CHARLES EDENSHAW (DAAX’IGANG or TAHAYGEN) (1839-1920), MASSET, HAIDA GWAII

Spoon, c. 1890-1910
silver, 4.625 x 1 x 1.25 in (11.7 x 2.5 x 3.2 cm), measurements reflect dimensions without custom metal stand.
unsigned.

LOT 124
ESTIMATE: $5,000 — $8,000
PRICE REALIZED: $2,400.00

Further images

  • (View a larger image of thumbnail 1 ) ATTRIBUTED TO CHARLES EDENSHAW (DAAX’IGANG or TAHAYGEN) (1839-1920), MASSET, HAIDA GWAII, Spoon, c. 1890-1910
  • (View a larger image of thumbnail 2 ) ATTRIBUTED TO CHARLES EDENSHAW (DAAX’IGANG or TAHAYGEN) (1839-1920), MASSET, HAIDA GWAII, Spoon, c. 1890-1910
  • Spoon
In addition to innumerable silver and gold bracelets, Daax’igang, Charles Edenshaw, one of the most prolific and in many ways the best of the Haida artists of his generation, created...
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In addition to innumerable silver and gold bracelets, Daax’igang, Charles Edenshaw, one of the most prolific and in many ways the best of the Haida artists of his generation, created small objects including napkin rings, brooches, ferrules for wooden canes, and spoons like this one, based on traditional wood and horn examples. Most, if not all, feature a raised raven head at the end of the handle with eyes, nostrils, and mouth line engraved upon it. This spoon includes formline patterns engraved inside the handle and on the back of the bowl, both of which appear to represent bird heads and are connected to the raven identity of the handle tip. Silver for such work originally came from coins, hammered out, cut to form, annealed, engraved, and bent into shape. Later in the work of Edenshaw and others sheet silver became available, which allowed objects to be made from thicker material. The graceful curves and lines of traditional spoons adapted well to this foreign material, and Edenshaw is known to have made sets of spoons like this for special clients.


Steven C. Brown


References: See Bill Holm, The Box of Daylight: Northwest Coast Indian Art, (Seattle, WA: Seattle Art Museum/University of Washington Press, Seattle, 1983), p. 126 for three examples of silver spoons attributed to Charles Edenshaw. See also Robin K. Wright and Daina Augaitis, eds., Charles Edenshaw, (Vancouver Art Gallery and Black Dog Publishing, 2013), figs. 143, 151, 227.
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Provenance

A New York Collection.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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