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Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900

UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA

Model Totem Pole, c. 1900
carved and pigmented alder, 23.25 x 3 x 3 in (59.1 x 7.6 x 7.6 cm)
LOT 117
ESTIMATE: $4,000 — $6,000
PRICE REALIZED: $3,600.00

Further images

  • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
  • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA, Model Totem Pole, c. 1900
  • Model Totem Pole
Model totem poles have been a mainstay of the artifact market in Alaska since at least the mid-nineteenth century. This model, nearly two feet in height, is carved with three...
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Model totem poles have been a mainstay of the artifact market in Alaska since at least the mid-nineteenth century. This model, nearly two feet in height, is carved with three main figures. At the top is a raven with a tapered beak and folded wings, standing on the head of a man rending a sea lion in half. This image represents the story of Duktoohl, known in English as the Strong Man. At the bottom is a beaver in a seated position, the stick in its hands bent like a horseshoe, its narrow tail textured in the usual way. Its feet are drawn up onto an integral small base. The pole is attached to a larger square base, also of wood, to better balance the tall pole in its vertical position.


Steven C. Brown


References: For a history of Northwest Coast model pole production see Michael D. Hall and Pat Glascock, Carvings and Commerce: Model Totem Poles 1880-2010, (Saskatoon: Mendel Art Gallery / Seattle: University of Washington Press, 2011).
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Provenance

A Vancouver Collection.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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