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Open a larger version of the following image in a popup: SUSAN POINT, C.C., R.C.A., O.B.C (1952-) MUSQUEAM, COAST SALISH, Smiling Frog (State II), 1995

SUSAN POINT, C.C., R.C.A., O.B.C (1952-) MUSQUEAM, COAST SALISH

Smiling Frog (State II), 1995
serigraph (silkscreen), 14 x 22.25 in (35.6 x 56.5 cm)
II/V A.P.
LOT 135
ESTIMATE: $600 — $900
PRICE REALIZED: $480.00
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In 1995, the University of British Columbia commissioned Susan Point to replicate a number of Coast Salish artifacts from prehistoric fragments made of antler, bone and wood. Her re-creations were...
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In 1995, the University of British Columbia commissioned Susan Point to replicate a number of Coast Salish artifacts from prehistoric fragments made of antler, bone and wood. Her re-creations were first done in pen and ink before being transferred to antler and bone. The finished pieces were part of the exhibition Written in the Earth – Coast Salish Prehistoric Art. She also explored these objects in a number of prints with various possibilities for a finished design. Smiling Frog is based on a curvilinear design brow band made from antler which would have been worn by women of status. There are two variations of this print with State 1 produced in and edition of 60 and state II in an edition of 25. She also featured the brow band in a 1996 portrait print titled Salish Woman.

— Gary Wyatt


When speaking of her work Frogs, an installation at the South Surrey Recreation Centre, Susan Point noted that “In many First Nations groups, the frog is the voice of the people. It symbolizes innocence, stability, and communication. The voice of the frog heralds the coming of spring, and in environmental circles, the frog is metaphorically considered the ‘canary in the coal mine’, its silence indicating the first signs that the environment is suffering. The frog is also a playful image, which I believe has an appeal for all age groups” [1]. As Smiling Frog shows a happier tone, perhaps this work predicts the coming spring from a long, cold winter.


1.

1. Susan Point, in Frogs, City of Surrey, 2005, https://www.surrey.ca/sites/default/files/media/documents/Frogs.pdf
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Literature

For more about the artist, see the catalogue Grant Arnold and Ian Thom eds., Susan Point: Spindle Whorl, (Vancouver: Vancouver Art Gallery and Black Dog Publishing, 2017) and its exhibition Susan Point: Spindle Whorl, Vancouver, Vancouver Art Gallery, 18 February 2017 - 28 May 2017. See also her entries in Ian M. Thom, Challenging Traditions: Contemporary First Nations Art of the Northwest Coast, (Vancouver: Douglas & McIntyre, 2009), and Bruce Grenville, Scott R. Steedman eds., Visions of British Columbia: A Landscape Manual, (Vancouver: Douglas & McIntyre, 2010).
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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