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Open a larger version of the following image in a popup: Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
Open a larger version of the following image in a popup: Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
Open a larger version of the following image in a popup: Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
Open a larger version of the following image in a popup: Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985

Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985

the roller: metal and rubber, 2 x 7.5 x 7.5 in (5.1 x 19.1 x 19.1 cm) / the brush: wood and synthetic bristles, 4 x 2.75 x 2.75 in (10.2 x 7 x 7 cm)
each with remnants of pigments
LOT 67
ESTIMATE: $400 — $600
PRICE REALIZED: $384.00

Further images

  • (View a larger image of thumbnail 1 ) Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
  • (View a larger image of thumbnail 2 ) Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
  • (View a larger image of thumbnail 3 ) Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
  • (View a larger image of thumbnail 4 ) Stencil Brush and Brayer (Ink Roller) from Kinngait, c. 1985
These two objects show the two mainstays of printmaking in Kinngait since its inception in the late 1950s. The first is a stencil brush that is used by the printmaker...
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These two objects show the two mainstays of printmaking in Kinngait since its inception in the late 1950s.  The first is a stencil brush that is used by the printmaker to tap an ink through a stencil matrix on to the sheet.  Once the ink has dried, the process is repeated using different matrixes and colours to achieve the image.  The second object is a brayer or ink roller.  After a stone block has been carved into the face with the draughtsman's design, ink is rolled on by the printmaker using a brayer. The printmaker then lays the sheet on top of the fresh inks, using pressure to allow for better absorption. 

References:  For additional information on the printmaking techniques used in Dorset, see Chisel and Brush, (Ottawa: Department of Northern and Indian Affairs, 1986)
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Provenance

Given to Kenojuak Ashevak, possibly by John and Mary Robertson or the Department of Northern and Indian Affairs (now Crown-Indigenous Relations and Northern Affairs Canada);*
Gift of the artist to the present Private Collection, B.C., c. 1991.

*According to the present Private Collection, Kenojuak was sent with this roller and brush to show the tools needed when making prints. As a gesture of gratitude, the artist gifted them to the collector.

Exhibitions

Seoul, South Korea, Shinsegae Gallery, Kenojuak, 1991, travelling exh., Masan, South Korea; Busan, South Korea. 


See "First Inuit Art Exhibition in Korea," Inuit Art Quarterly, Fall 1991, Vol. 6, No. 4, p. 40 for additional details of this exhibition.

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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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