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Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s

EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT)

Seated Woman , 1990s
antler, felt, sinew, cotton thread, and graphite, 5.5 x 2.5 x 5.25 in (14 x 6.3 x 13.3 cm)
unsigned.
LOT 63
ESTIMATE: $350 — $500

Further images

  • (View a larger image of thumbnail 1 ) EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
  • (View a larger image of thumbnail 2 ) EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
  • (View a larger image of thumbnail 3 ) EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
  • (View a larger image of thumbnail 4 ) EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
  • (View a larger image of thumbnail 5 ) EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Seated Woman , 1990s
Eva Talooki Aliktiluk brought unusual tenderness and wit to small-scale sculpture. Her carvings are often modest in size and direct in form, yet they never feel slight. Again and again,...
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Eva Talooki Aliktiluk brought unusual tenderness and wit to small-scale sculpture. Her carvings are often modest in size and direct in form, yet they never feel slight. Again and again, she found ways to give pared-down figures a strong sense of personality and presence.

Beads play an essential role in that effect. They do more than ornament the surface. They call to mind the decoration of Inuit clothing and lend her figures a particular sense of intimacy and individuality. In antler especially, this approach is compelling. The material’s rough, irregular surface gives the carving a raw, tactile force, while the small coloured beads introduce delicacy, warmth, and a careful touch that offsets its severity.

Here, the artist presents a solitary seated woman, compact in form and simply conceived. Beaded details animate the figure and draw attention to the face and clothing, adding flashes of colour against the pale, textured antler. The contrast between rough material and fine embellishment gives the sculpture much of its character, making this small figure feel personal, tactile, and distinctly her own.

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Provenance

Collection of John and Joyce Price, Seattle.
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 416-560-6348   |    info@firstarts.ca 

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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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