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Open a larger version of the following image in a popup: MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
Open a larger version of the following image in a popup: MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
Open a larger version of the following image in a popup: MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
Open a larger version of the following image in a popup: MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970

MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE)

Two Men Fighting, c. 1970
stone, 13 x 12 x 8.75 in (33 x 30.5 x 22.2 cm)
signed, "ᐊᑭᒐ".
LOT 50
ESTIMATE: $6,000 — $9,000
PRICE REALIZED: $14,640.00

Further images

  • (View a larger image of thumbnail 1 ) MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
  • (View a larger image of thumbnail 2 ) MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
  • (View a larger image of thumbnail 3 ) MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
  • (View a larger image of thumbnail 4 ) MATHEW AQIGAAQ (1940-2010) QAMANI'TUAQ (BAKER LAKE), Two Men Fighting, c. 1970
Mathew Aqigaaq was recognized as an important sculptor while still in his twenties; three of his works from the mid-1960s were included in the famous Sculpture/Inuit international touring exhibition of...
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Mathew Aqigaaq was recognized as an important sculptor while still in his twenties; three of his works from the mid-1960s were included in the famous Sculpture/Inuit international touring exhibition of 1971-73 (and none by Arnasungaaq and Sevoga). Interestingly, Aqigaaq was somewhat of a traditionalist, despite his young age. Proud of his style and confident of his working methods, he did not make the switch to power tools when they became popular.


Two Men Fighting is absolutely one of Aqigaaq’s masterpieces. A very large and impressive work from c. 1970, it proves that the artist was already at the height of his powers just as the visual arts were beginning to blossom in the community, cementing his place as a leader of the “Baker Lake School” of sculpture. Its massive bulk is accentuated by its compact, robust form and the bulging, convex shapes of the two figures. The scene does not feel particularly violent; were it not for the club being wielded by one of the men, it might be mistaken for an image of a father and son playing. Awesome.


References: For other important sculptures by the artist see Gerald McMaster, ed., Inuit Modern: The Samuel and Esther Sarick Collection, (Toronto: Art Gallery of Ontario, 2010), p. 90. See also Canadian Eskimo Arts Council, Sculpture / Inuit: Masterworks of the Canadian Arctic, (Toronto: University of Toronto Press, 1971), cats. 302, 303, 367; and George Swinton, Sculpture of the Inuit, (Toronto: McClelland & Stewart, 1972/92), figs. 682, 714, 715. See also Jean Blodgett, Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art, (Toronto: Art Gallery of Ontario, 1983), cat. 9, pp. 42-43.
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Provenance

Marion Scott Gallery, Vancouver;
Acquired from the above by John & Joyce Price, Seattle, WA, c. 1996.

Exhibitions

Vancouver, Marion Scott Gallery, Inspiration: Four Decades of Sculpture by Canadian Inuit, Nov. 18, 1995 - January 6, 1996, cat. no. 40.

Publications

Marion Scott Gallery, Inspiration: Four Decades of Sculpture by Canadian Inuit, (Vancouver: Marion Scott Gallery, 1995), cat. no. 40, p. 66.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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