First Arts company logo
First Arts
Skip to main content
  • Menu
  • Home
  • Spring 2025 | Live Auction
  • Available Artworks
  • Auctions & Exhibitions
  • About
  • SERVICES
  • News & Blog
Menu

Artworks

Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
Open a larger version of the following image in a popup: MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930

MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW

Frog Frontlet, c. 1930
alder wood and pigment, 8 x 6.5 x 3 in (20.3 x 16.5 x 7.6 cm), measurements reflect dimensions without custom metal stand.
inscribed in graphite in an unknown hand, "Wāgkāes = Frog / [Wachaeek/] (name given [to Waghaes?] man) with copper / which made him a chief";
incised in an unknown hand, "709 945 232".
Lot 143
ESTIMATE: $8,000— $12,000
PRICE REALIZED: $7,800.00

Further images

  • (View a larger image of thumbnail 1 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 2 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 3 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 4 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 5 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 6 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 7 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 8 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • (View a larger image of thumbnail 9 ) MUNGO MARTIN (1879-1962) KWAKWA̱KA̱ʼWAKW, Frog Frontlet, c. 1930
  • Frog Frontlet
Mungo Martin was the stepson and apprentice of renowned Kwakwaka'wakw carver Yakudlas Charlie James (1867-1938) and the uncle of Ellen Neel (1916-1966). He was also an important early teacher to...
Read more

Mungo Martin was the stepson and apprentice of renowned Kwakwaka'wakw carver Yakudlas Charlie James (1867-1938) and the uncle of Ellen Neel (1916-1966). He was also an important early teacher to several prominent artists including Henry Hunt (1923-1985) and Doug Cranmer (1927-2006). Working throughout and despite the potlatch ban, Martin’s name is synonymous with the mid-20th century revitalization of Northwest Coast art, and he is often credited with bridging the cultural and artistic practices of the 19th century with the reappraisal of Northwest Coast objects as fine art in the second half of the 20th century. Martin also hosted the first public, legal potlatch of the 20th century in 1953, two years after the lifting of the potlatch ban in 1951.


This frontlet is in the shape of a copper and features a frog figure carved in high relief and painted in Indigenous pigments. There is a design that may represent a killer whale painted on the chest of the frog and eight white rectangles that represent the inlaid abalone shell usually found on frontlet headdresses. This piece is carved and painted in an earlier style for Martin that recalls the work of his stepfather, Charlie James. The absence of abalone inlays and the gear to wear this piece probably indicate that it was made for sale rather than cultural use.


Christopher W. Smith


Close full details

Provenance

Ex. Collection Dr. Joseph T. Mandy;
A Vancouver Collection.
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email

FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

Join Our Mailing List

 

JOIN

 

 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Send an email
Manage cookies
Copyright © 2025 First Arts
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Join

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.