Roxanne Swentzell's Smithsonian Mask VIII is one made from the artist's "E-wah-Nee-nee" installation, commissioned by the Smithsonian Museum of the American Indian. The commission, which featured eight masks, is meant to represent the universe's dynamism and the equilibrium between opposing elements. In the installation, the eight figures are arranged directionally, extending towards the north, south, east, and west, signifying an homage to life in its entirety.

Inviting introspection and reflection, the serene expression on the Smithsonian Mask VIII, with closed eyes and a tranquil demeanour, suggests a state of peace or contemplation. 

The two-toned design with its distinct colour separation may symbolize the duality and balance between different elements.

The patterns on the lower half of the visage may be a visual representation of prayers for rain, which is an essential aspect of Pueblo Rain Dancers referenced in her installation. Rain is critical for the survival of Pueblo people in the desert regions, and these stepped patterns might evoke the cascading of rain from the heavens to the earth.

The placement of these patterns on the mask, encircling the mouth and chin, might suggest that the words spoken by the figure. It is as though the face has been captured in a moment of sacred chant or a whispered prayer, made immutable by the artist to withstand the passage of time.