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Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Strange Scene, 1964 (1964/65 #21)
Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Strange Scene, 1964 (1964/65 #21)

KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET)

Strange Scene, 1964 (1964/65 #21)
Printmaker: IYOLA KINGWATSIAK (1933-2000) KINNGAIT (CAPE DORSET)
stonecut, 20 x 29.25 in (50.8 x 74.3 cm), framed, sight.
21/50
LOT 97
ESTIMATE: $2,000 — $3,000
PRICE REALIZED: $1,952.00

Further images

  • (View a larger image of thumbnail 1 ) KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Strange Scene, 1964 (1964/65 #21)
  • (View a larger image of thumbnail 2 ) KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Strange Scene, 1964 (1964/65 #21)
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Kiakshuk’s most famous print, Strange Scene is a powerfully compelling image. The oldest hunter to have become an artist in Cape Dorset, Kiakshuk was known to be a powerful shaman;...
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Kiakshuk’s most famous print, Strange Scene is a powerfully compelling image. The oldest hunter to have become an artist in Cape Dorset, Kiakshuk was known to be a powerful shaman; he mostly steered clear of the subject in his art, but this print is a powerful reminder of this aspect of his life story. His younger cousin Pitseolak Ashoona described her memories of his drawings: “Because Kiakshuk was a very old man, he did real Eskimo drawings. He did it because he grew up that way, and I really liked the way he put the old Eskimo life on paper. I used to see Kiakshuk putting the shamans and spirits into his work on paper.” [1] Although James Houston interpreted the image as representing the Tunik giant Inukpuk, his wife, and a horror-struck hunter, Jean Blodgett and others disagree (see references). We think it likely that the menacing figure on the left (apparently holding the skin of a bear and attended by two creatures devouring a seal) is a shaman, while the other two figures are wife and husband. Indeed, they both appear horror-struck.


1. Pitseolak Ashoona and Dorothy Eber, Pitseolak: Pictures out of my life, (Montreal / Kingston: McGill-Queen’s University Press, 1971), unpaginated.
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Provenance

Images Art Gallery, Toronto;
Acquired from the above by the present Private Collection, Toronto.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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