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Open a larger version of the following image in a popup: IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
Open a larger version of the following image in a popup: IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
Open a larger version of the following image in a popup: IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
Open a larger version of the following image in a popup: IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997

IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE)

Guardian Protecting Ptarmigan from Wolves, c. 1997
wool, felt duffel, embroidery thread, and cotton thread, 76.25 x 50 in (193.7 x 127 cm)
signed, "ᐄᕆ".
LOT 138
ESTIMATE: $4,000 — $6,000

Further images

  • (View a larger image of thumbnail 1 ) IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
  • (View a larger image of thumbnail 2 ) IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
  • (View a larger image of thumbnail 3 ) IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
  • (View a larger image of thumbnail 4 ) IRENE AVAALAAQIAQ TIKTAALAAQ (1941-) QAMANI'TUAQ (BAKER LAKE), Guardian Protecting Ptarmigan from Wolves, c. 1997
While many textile artists have a distinctive style to their work, few have such a singular hand as Irene Avaalaagiaq Tiktaalaaq. This lot is quintessential to her canon of work,...
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While many textile artists have a distinctive style to their work, few have such a singular hand as Irene Avaalaagiaq Tiktaalaaq. This lot is quintessential to her canon of work, as it has a presence in a room, both from its scale and the firm attendance of the beasts and spirits throughout the wool.


Stark in their contrast of dark light colours against the white wool, avian spirits hop and swirl around a central two-headed, two legged figure. It,along with its feathered companions, is highlighted and accessorized with zigzag-striped embroidery patterns in green, red, and yellow, adding further punches of colour. There is a level of joy that these figures have, making the whole scene of hybrid creatures humorous and lively rather than unsettling.


AC

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Provenance

Marion Scott Gallery, Vancouver;
Acquired from the above by John & Joyce Price, Seattle, 1999.

Exhibitions

Vancouver, Marion Scott Gallery, Two Great Image Makers from Baker Lake: Sculptures by Josiah Nuilaalik, Wallhangings by Irene Avaalaaqiaq, 27 Feb - 20 March 1999, no. 38 [?].

Publications

Robert Kardosh, et. al., Two Great Image Makers from Baker Lake: Sculptures by Josiah Nuilaalik, (Vancouver: Marion Scott Gallery, 1999), fig. 38, p. 47.
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