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Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970

PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE)

Mother and Child, Waving, c. 1970
stone, 9 x 8.5 x 4 in (22.9 x 21.6 x 10.2 cm)
signed, "ᓱᕙᒐ".
LOT 11
ESTIMATE: $5,000 — $8,000
PRICE REALIZED: $8,540.00

Further images

  • (View a larger image of thumbnail 1 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
  • (View a larger image of thumbnail 2 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
  • (View a larger image of thumbnail 3 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
  • (View a larger image of thumbnail 4 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
  • (View a larger image of thumbnail 5 ) PETER SEVOGA (1940-2007) QAMANI’TUAQ (BAKER LAKE), Mother and Child, Waving, c. 1970
  • Mother and Child, Waving
This gorgeous sculpture is a brilliant example of Peter Sevoga’s early classic style. Recognized as one of the leading lights of the Baker Lake sculptural aesthetic, Sevoga is most famous...
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This gorgeous sculpture is a brilliant example of Peter Sevoga’s early classic style. Recognized as one of the leading lights of the Baker Lake sculptural aesthetic, Sevoga is most famous for his depictions of families; usually rendered as closely huddled, bulky figures, the sculptures beautifully balance considerable mass with surprising delicacy. Mother and Child, Waving is a simpler composition comprising just two figures. Sevoga’s trademark simple forms, with their sensuous curves and volumes, are especially light and airy here, with a special emphasis on dynamic movement. These qualities suit the subject matter: mother and son are perhaps excitedly greeting the father back from a hunting trip, or welcoming relatives to their camp.

References: For a contemporaneous and similarly styled graphite drawing by Kenojuak see Marion E. Jackson and Judith M. Nasby, Contemporary Inuit Drawings, (Guelph: Macdonald Stewart Art Centre, 1987), cat. 31, p. 63. For the still definitive study of the artist’s life and work see Jean Blodgett, Kenojuak, (Toronto: Firefly Books / Mintmark Press Ltd., 1985).
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Provenance

Ex. Coll. John and Mary Robertson;
A British Columbia Collection.

Exhibitions

Kingston, Agnes Etherington Art Centre, Queen's University, Selections from The John and Mary Robertson Collection of Inuit Sculpture, 20 July -19 October 1986, cat. 11.

Publications

Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture, (Kingston: Agnes Etherington Art Centre, 1986), cat. 11, p. 32.


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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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