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Open a larger version of the following image in a popup: OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
Open a larger version of the following image in a popup: OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
Open a larger version of the following image in a popup: OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
Open a larger version of the following image in a popup: OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s

OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET)

Man Preparing for Pulling Game, 1990s
stone, 17.5 x 14.75 x 14.25 in (44.5 x 37.5 x 36.2 cm)
signed and dated, "ᐅᕕᓗ / ᑐᓂᓕ / 97".
TOO DARK, PLEASE RESHOOT - see davie for similar stone tone.
LOT 36
ESTIMATE: $2,500 — $3,500

Further images

  • (View a larger image of thumbnail 1 ) OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
  • (View a larger image of thumbnail 2 ) OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
  • (View a larger image of thumbnail 3 ) OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
  • (View a larger image of thumbnail 4 ) OVILOO TUNNILLIE, R.C.A. (1949-2014) KINNGAIT (CAPE DORSET), Man Preparing for Pulling Game, 1990s
Oviloo Tunnillie holds a singular place in the history of Inuit sculpture. Her work is instantly recognizable, not because it conforms to expectations but because it almost never does. Across...
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Oviloo Tunnillie holds a singular place in the history of Inuit sculpture. Her work is instantly recognizable, not because it conforms to expectations but because it almost never does. Across decades, her figures offered a woman’s point of view with unflinching honesty, creating a body of work unlike anything else in the field.



But Oviloo was never bound to a single subject. Among her lesser-known but equally compelling carvings are those that depict games and sports. Some reference southern pastimes, football, skating, and swimming, but here, she turns to Northern play. The figure shown here is a man,preparing for nusuura, a traditional pulling game of strength and will. His posture is thoughtful. The H-shaped aksalak grip is tucked behind his back, as if he is either bracing for the moment or waiting to spring it on a companion. Either way, there is a pause here. A tension that makes room for interiority. Like so many of Oviloo’s carvings, this one is less about the action than the person on the verge of it.



With thanks to John Western and Joemie Tapaungai for their insight and support in cataloguing this work.

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Provenance

Private Collection, Toronto
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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