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Open a larger version of the following image in a popup: PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
Open a larger version of the following image in a popup: PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
Open a larger version of the following image in a popup: PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
Open a larger version of the following image in a popup: PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
Open a larger version of the following image in a popup: PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960

PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ)

Signalling Hunter, c. 1960
stone, 7.5 x 4.5 x 2.25 in (19.1 x 11.4 x 5.7 cm)
inscribed with artist's disc number, "E91441".
LOT 21
ESTIMATE: $400 — $600
PRICE REALIZED: $366.00

Further images

  • (View a larger image of thumbnail 1 ) PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
  • (View a larger image of thumbnail 2 ) PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
  • (View a larger image of thumbnail 3 ) PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
  • (View a larger image of thumbnail 4 ) PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
  • (View a larger image of thumbnail 5 ) PAULOOSIE QUANANAK (1899-1963) POVUNGNITUK (PUVIRNITUQ), Signalling Hunter, c. 1960
This charming hunter is either signalling his campmates or throwing his hands up in frustration. We prefer to think the former since his graphic works produced in the short period...
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This charming hunter is either signalling his campmates or throwing his hands up in frustration. We prefer to think the former since his graphic works produced in the short period from 1960 to 1968* seems to depict scenes of plentiful bounty and successful hunts. This is a rather rare sculptural work by the artist and we can’t help but wonder what else he made have contributed to art-making in Puvirnituq had he not died at a relatively young age just as the Inuit art market was reaching full velocity.


*two of his prints seem to have been produced posthumously.


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Provenance

Waddington's, Toronto, 5-7 March 1990, Lot 269;
Acquired from the above by the present Private Collection, Toronto
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