Remarkably, all eight of Jessie Oonark’s surviving children became artists. Of her daughters, Nanurluq (usually known as Miriam Qiyuk) was one who devoted herself mostly to sculpture rather than graphic or textile art. She became, arguably, the preeminent female sculptor in Baker Lake. The theme of family is especially strong in this community, as the works of Qamani’tuaq sculptors such as Sevoga (Lots 49 and 80), Ikutaaq (Lot 65), Arnasungaaq, Aqigaaq and others clearly attest.

What makes Nanurluq’s work distinctive is perhaps best shown by comparing this masterful Family Gathering with Peter Sevoga’s similarly brilliant Family Group (Lot 49). In Sevoga’s group, everyone is fully clothed; this adds bulk and weight to the tight composition. Huddled together, they seem to be welcoming others to join them. In contrast, in Nanurluq’s low-slung composition, the family is seated and seems completely relaxed. It’s probably an indoor gathering, with only one figure wearing outdoor clothing.

As is typical with her work, Nanurluq’s Family Gathering looks and feels like an intensely personal image. We just know it depicts Nanurluq’s own family, adults and kiddies happily posing together. We just love the way the clothed figure snuggles up against the shoulder of one of the mothers; it’s as if they have just come inside and are eager to join in for a family photo. Furthermore, this lively and charming composition, so full of affection, can be enjoyed from both sides.