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Open a larger version of the following image in a popup: JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
Open a larger version of the following image in a popup: JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
Open a larger version of the following image in a popup: JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
Open a larger version of the following image in a popup: JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965

JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK)

Portrait Head, c. 1965
stone, 9.5 x 8 x 4 in (24.1 x 20.3 x 10.2 cm)
signed and inscribed with disc number, "JOE E.9.818".
LOT 22
ESTIMATE: $6,000 — $9,000

Further images

  • (View a larger image of thumbnail 1 ) JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
  • (View a larger image of thumbnail 2 ) JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
  • (View a larger image of thumbnail 3 ) JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
  • (View a larger image of thumbnail 4 ) JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK), Portrait Head, c. 1965
Joe Talirunili’s favourite subjects by far were owls; his most famous works are his Migration Boats. He also carved numerous standing figures of men carrying their hunting weapons and women...
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Joe Talirunili’s favourite subjects by far were owls; his most famous works are his Migration Boats. He also carved numerous standing figures of men carrying their hunting weapons and women holding ulus and other implements. However, we are not aware of another portrait head. This fine sculpture might indeed be unique in the artist’s oeuvre. We cannot say with certainty whether this is a self-portrait or the portrait of a friend or relative. Portrait photos of Talirunili himself suggest that his face was relatively plump; on the other hand, this Portrait Head suggests that the subject was fairly young. The work is beautifully carved and finished – even the teeth are carefully rendered – and we therefore suggest a date of c. 1965. Perhaps the most remarkable aspect of this sculpture, aside from the distinctiveness and clarity of its facial features, is its impressive, nearly life-size scale. In terms of relative size, it is the largest-scale sculpture that Joe ever produced!


References: For the best introduction to the work of this artist see Marybelle Myers, Joe Talirunili: a grace beyond the reach of art, (Montreal: La Federation des cooperatives du Nouveau-Quebec, 1977).
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Provenance

Private Collection, Ottawa.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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