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Open a larger version of the following image in a popup: NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
Open a larger version of the following image in a popup: NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
Open a larger version of the following image in a popup: NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
Open a larger version of the following image in a popup: NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s

NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN)

Spirit with Wild Hair, c. late 1990s
antler, muskox fur, and rabbit fur, 9 x 6 x 10.25 in (22.9 x 15.2 x 26 cm)
signed, "ᓂᑯᓚ ᓯᑯᐊ".
LOT 29
ESTIMATE: $3,000 — $5,000

Further images

  • (View a larger image of thumbnail 1 ) NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
  • (View a larger image of thumbnail 2 ) NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
  • (View a larger image of thumbnail 3 ) NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
  • (View a larger image of thumbnail 4 ) NICK SIKKUARK (1943-2013) KUGAARUK (PELLY BAY) / UQSUQTUUQ (GJOA HAVEN), Spirit with Wild Hair, c. late 1990s
This wild-haired spirit exemplifies Nick Sikkuark’s masterful collision of the eerie and the absurd. The creature barrels toward us with unrelenting momentum: back legs flung behind while it bares down...
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This wild-haired spirit exemplifies Nick Sikkuark’s masterful collision of the eerie and the absurd. The creature barrels toward us with unrelenting momentum: back legs flung behind while it bares down on two fur trimmed paws. Yet despite this kinetic energy and the aggressive posture, it is impossible to be fully afraid of this creature. Unruly fur explodes outward in a mane that nearly totally obscures the face. The face below this mop is meticulously carved with Sikkuark’s characteristic precision. With its deep-set frown and dramatically flared nostrils, the sheer theatricality of its expression transforms what could be menacing into something amusing. Even its materials – smooth, pale antler and multi-coloured fur — echo the sentiment of paradox.


References: For a comprehensive exploration of the artist’s life and work, complete with numerous illustrations, see The National Gallery solo exhibition catalogue: Christine Lalonde et al., Nick Sikkuark: Humour and Horror, (Ottawa: National Gallery of Canada, 2023). See also Marion Scott Gallery, The Art of Nick Sikkuark: Sculpture and Drawings, (Vancouver: Marion Scott Gallery, 2003). See the section on the artist in Darlene Coward Wight, Art & Expression of the Netsilik, (Winnipeg: Winnipeg Art Gallery, 2000), pp. 32-43. For a discussion of Sikkuark's sculptural style see Robert Kardosh's two-part article, "Natural Fantasia: The Wonderful World of Nick Sikkuark”: Part I in Inuit Art Quarterly, (Spring 2005), pp. 8-14, and Part II in Inuit Art Quarterly, (Summer 2005), pp. 10-16.
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Provenance

Private Collection, Toronto.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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