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Open a larger version of the following image in a popup: JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
Open a larger version of the following image in a popup: JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
Open a larger version of the following image in a popup: JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
Open a larger version of the following image in a popup: JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986

JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY)

Totemic Composition, c. 1986
ivory and stone, 19.5 x 3.5 x 5 in (49.5 x 8.9 x 12.7 cm)
signed, "JACKOPOSEIE".
LOT 72
ESTIMATE: $9,000 — $12,000

Further images

  • (View a larger image of thumbnail 1 ) JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
  • (View a larger image of thumbnail 2 ) JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
  • (View a larger image of thumbnail 3 ) JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
  • (View a larger image of thumbnail 4 ) JACKOPOSIE OOPAKAK (1948-2015) IQALUIT (FROBISHER BAY), Totemic Composition, c. 1986
Jacoposie Oopakak is considered the master of intricate ivory carving among Inuit artists. His ability to capture tiny, precise details in such a fragile material is truly astonishing. This “totem”...
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Jacoposie Oopakak is considered the master of intricate ivory carving among Inuit artists. His ability to capture tiny, precise details in such a fragile material is truly astonishing. This “totem” is made of incredibly fine individual subjects, but rather than being simply stacked one on top of the other they delicately support each other with an overall rhythm and airiness that elevate this magnificent sculpture into the realm of poetry. There is a hierarchy: the stone base supports two hunters, the lower one catching a seal and the other impaling a fish on a kakivak. These give way to a woman with a baby in her amautiq, while above her a man holds a fish. As the eye moves upward, we see a narwhal and a walrus flow into each other; finally, a kneeling man is crowned by a bird below a char surging upwards to provide an elegant tip for this exquisite totem.


References: For impressive works by the artist in bone, antler, and ivory, see First Arts, 1 Dec. 2020, Lot 156; First Arts, 5 Dec. 2022, Lot 47; and First Arts, 2 Dec. 2024, Lot 83. Oopakak’s most famous work, Nunali, resides in the National Gallery of Canada Collection and was published in Inuit Art Quarterly, Summer 2004, Vol. 19, No. 2, p. 4.
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Provenance

Wynnychuk Collection, Toronto;
Private Collection, Toronto.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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